"Will the real Slim Shady please stand up?" sang the rapper known to his estranged mother as Marshall Bruce Mathers III, but better known to the rest of us as Eminem. That the Philadelphia-based artist Alex Da Corte was attracted to the early-noughties icon is perhaps unsurprising, given Da Corte’s long-held interest in artifice and pop culture, masking and makeup. After a friend noted a passing resemblance, Da Corte started to ‘embody’ the persona of the musician, not least bleaching his hair, in the hope that by taking on these outward signifiers, he might better understand a figure whose politics Da Corte profoundly disagreed with.
Eminem/Slim Shady
"Will the real Slim Shady please stand up?" sang the rapper known to his estranged mother as Marshall Bruce Mathers III, but better known to the rest of us as Eminem. That the Philadelphia-based artist Alex Da Corte was attracted to the early-noughties icon is perhaps unsurprising, given Da Corte’s long-held interest in artifice and pop culture, masking and makeup. After a friend noted a passing resemblance, Da Corte started to ‘embody’ the persona of the musician, not least bleaching his hair, in the hope that by taking on these outward signifiers, he might better understand a figure whose politics Da Corte profoundly disagreed with.
2017-01-01
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Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.
An exploration of the VHS medium and the subterranean trash which thrived in it. Using source material from Emmanuelle 6, this DVD-R/VHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. This is the plight of Emmanuelle.
Movie star Roxy Carmichael is abandoning the bright lights of Hollywood, Calif. and returning to her small Ohio hometown -- at least long enough to dedicate a city building. And now the whole town of Clyde is bracing for Carmichael's return, most of all her now-married old flame Denton Webb and troubled teen Dinky Bossetti. An orphan with few friends, Dinky is convinced that Carmichael is her birth mother, and that the actress will reclaim her when she returns.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
In his most revealing performance yet, the one-hour special features an exploration into Blaine’s trademark style of street magic as he once again stuns his audience.
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.
In 2004, a culture war was brewing when the Super Bowl halftime show audience saw a white man expose a Black woman's breast for 9/16ths of a second. A national furor ensued. The woman was Janet Jackson, and her career was never the same.
A new case for "The Model Boys": The two Cologne commissioners Docker and Dretzke to take the next 14 days a journalist to their missions.
The career and personal life of writer Lee are at a standstill, so he divorces his bashful wife, Robin, and dives into a new job as an entertainment journalist. His assignments take him to the swankiest corners of Manhattan, but as he jumps from one lavish party to another and engages in numerous empty romances, he starts to doubt the worth of his work. Meanwhile, top TV producer Tony falls for Robin and introduces her to the world of celebrity.
Encouraged by her managers, rising pop star Mima takes on a recurring role on a popular TV show, when suddenly her handlers and collaborators begin turning up murdered.
Cast and crew from A Nightmare on Elm Street are terrorized by Freddy Krueger and his razor-fingered glove as he crosses over into the real world.
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
#11 (Marey Moiré) is a film in which all images were generated by intermittently recording the movement of a line. It is a film about the discontinuity that lies at the heart of the film medium.
A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.
Mabel is unhappy with her life and needs a change. She leaves the Midwest for Hollywood to find the man of her dreams. Brad? Nope. George? Ugh. Eddie? You bet! Because nerds need love, too.
TV child star of the '70s, Dickie Roberts is now 35 and parking cars. Craving to regain the spotlight, he auditions for a role of a normal guy, but the director quickly sees he is anything but normal. Desperate to win the part, Dickie hires a family to help him replay his childhood and assume the identity of an average, everyday kid.
Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.