Us Reborn (Ô Truie) is an experimental short movie showing human and trash organicity.
Becoming A
Becoming B
Us Reborn (Ô Truie) is an experimental short movie showing human and trash organicity.
2020-04-12
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The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Eszter, her husband Farkas, and their five-year-old son Bruno are paid an unexpected visit in the middle of the night. Eszter’s sister Ernella, her husband Albert and daughter Laura have returned from a year spent in Scotland where, contrary to expectations, they weren’t able to settle down. It soon becomes clear that the two families had never really been in tune with one another.
A psychiatrist and his needy patient discuss their relationship in a snow-covered field.
Giacomo, a boy from Puglia, leaves immediately after the war for the United States of America, where, after a few years, he will be known by the name of "James". The young man, however, enters the gang scene. Following a fight, he will be put back on the right path by the former boxer, now carpenter, Frank!
Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.
José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
A man is in self-quarantine in a housing building that is under construction. But the place is so chaotic that he isn't able to sleep. One day he goes over to the local zoo and attempts to sleep there.
Michael and Eric, two young men on a collision course with the world around them. As they race violently towards each other their world comes crashing down, changing their lives forever.
A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse. The film begins in a sacral space, where Randi, a figure that references Ayn Rand, transforms a parapsychological medium into two digital clouds and sends them on a journey through a megalopolis in full growth. There they materialize as two bodies, which go by the names of Mr. Freedom and Ms. Independence.
Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.