
From Noisey: We go from the streets of the Lower East Side all the way to South Korea to examine one of the most distinctive genres to sprout from the concrete of New York City: hardcore. Along the way, we’ll meet with everyone from tattoo shop owners to chefs to government workers—all of whom have been inspired by the teachings at musical meccas like CBGB’s and A7 and found ways to apply the lessons learned from the scene to their own lives. Join us—as well as members of Agnostic Front, Title Fight, Youth of Today, Incendiary, and more—as we explore a world living under the influence of New York Hardcore.

From Noisey: We go from the streets of the Lower East Side all the way to South Korea to examine one of the most distinctive genres to sprout from the concrete of New York City: hardcore. Along the way, we’ll meet with everyone from tattoo shop owners to chefs to government workers—all of whom have been inspired by the teachings at musical meccas like CBGB’s and A7 and found ways to apply the lessons learned from the scene to their own lives. Join us—as well as members of Agnostic Front, Title Fight, Youth of Today, Incendiary, and more—as we explore a world living under the influence of New York Hardcore.
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Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
0.0Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.
5.8Iconic Welsh rock musician Mike Peters' rise to fame, battle with cancer and inspiring return, featuring one-of-a-kind performances from other legendary musicians.
7.8Grammy Award-winning, multi-platinum selling band The Pretenders (featuring the Legendary Chrissie Hynde) performs with special guests including Iggy Pop, Shirley Manson of Garbage, Kings of Leon and Incubus, recorded live at the Decades Rock Arena in Atlantic City, NJ.
0.0Probably the most atypical star in the history of popular music, Ian Dury overcame Polio to be one of the most iconic figures of the late punk movement. With his supercharged live performances and unique blend of sexually poetic lyrics, Ian Dury achieved critical aclaim from both his fans and fellow artists. From his early days with Kilburn and the High Roads to his superstardom with the Blockheads, Ian Dury was a complicated cocktail of warmth, wit, bile and bombast... quite simply he was unique and unforgettable. To discover the legend that is Ian Dury this DVD contains amazing live performances of Sex & Drugs & Rock & Roll, What A Waste, Hit Me With Your Rhythm Stick, Sweet Gene Vincent and many other hits from his heyday, alongside in-depth interviews that give an insight to the man himself.
5.3The story of Gritando HC, a Brazilian hardcore band from its beginnings in 1994, the death of its founder, Donald, and how they remained active and relevant in the scene to this day.
0.0Bloodied But Unbowed chronicles Bloodshot Records' 12 years (and counting) in the trenches of independent music. It's a world where it's easier to take down an M-1 Abrams tank with pub dart than get noticed and appreciated by the mainstream. Here you'll find the highs, the lows, the humiliations and the triumphs. It's an inspirational tale of the ages for anyone foolish enough to want to start a record label.
7.0A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
7.8TV Party Music Video - (Live @ Target SF 1981) Rise Above - Thirsty & Miserable -Depression - American Waste - Fan greeting in Bologna, Italy 1979 - Revenge (San Francisco 8-20-80) - Jealous Again - Chuck (mock) interviews Dez & Henry - Rise Above (repeat)
0.0The Offpsring at Cidade do Rock, Rio de Janeiro, Brazil on September 14, 2013. Setlist: 01. All I Want / 02. Bad Habit / 03. Come Out and Play / 04. Days Go By / 05. Original Prankster / 06. You're Gonna Go Far, Kid / 07. Staring at the Sun / 08. Kristy, Are You Doing Okay? / 09. Want You Bad / 10. Hit That / 11. Why Don't You Get a Job? / 12. Americana / 13. (Can't Get My) Head Around You / 14. Pretty Fly (For a White Guy) / 15. The Kids Aren't Alright / 16. California Sun (Joe Jones cover) (with Marky Ramone) / 17. R.A.M.O.N.E.S. (Motörhead cover) (with Marky Ramone) / 18. Self Esteem
0.0Live in concert at the Mabuhay Gardens in San Francisco + bonus material.
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
8.0In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
0.0By November of 1980, the B-52’s had two albums under their belt and were two months away from their debut Saturday Night Live performance. The New Wave band were quickly rising to national fame, and they were still touring with the original lineup which consisted of frontman Fred Schneider (who in this set’s liner notes is credited as playing both the glockenspiel and “various toys”), Cindy Wilson, Ricky Wilson, Kate Pierson and Keith Strickland.
5.1The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.
0.0Featuring songs from their debut album DANZIG: "Twist of Cain" and the controversial uncut versions of "Am I Demon", "She Rides" and "Mother". Plus interviews and behind-the-scenes footage. Highlights include: Glenn revealing his songwriting process, reading Wolverine comics, discussing his book collection, chugging a box of Milk Duds before an encore, and Eerie Von being a badass.
0.0During the first week of September 1981, Twin/Tone took the mobile recording unit and rented a bunch of video gear and recorded 15 bands live (five nights) at the 7th Street Entry in Minneapolis... These movies are from the show on September 5th. The band had released "Sorry Ma..." earlier in the year and were already working on future projects. These clips are presented as they were recorded live... in set order and very much with the tuning that troubled the night. The Replacements were the middle band of three (Husker Du closed the show) and played two 25 minute sets.
9.0A compilation of all the Sub Pop videos from the grunge era. Tracks include Nirvana's 'In Bloom' and Mark Lanegan's 'Ugly Sunday'.
0.0The first-ever official live document from brilliant 70s art-punks Wire is finally released on this CD/DVD set, which captures their 1979 performance on then-West Germany's "Rockpalast" show.
6.2A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."