The Ring Cycle: Siegfried(1992)

Ringvall's Adventures(sv)

Axel Ringvall on a hike, but his dreams seem more exciting.

Flow(en)

Hey Qween - Holigay Special(en)

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

Hen Hop(en)

This joyful short animation features a dancing hen that transforms into an egg. The film was made without a camera by Norman McLaren, who drew directly onto 35 mm movie stock with ordinary pen and ink. Colour was added optically.

Mars(en)

A new space race is born between NASA and the ESA when Charlie Brownsville, Hank Morrison, and Dr. Casey Cook compete against an artificially intelligent robot to find out what's up there on the red planet. 'Mars' follows these three astronauts on the first manned mission to our galactic neighbor. On the way they experience life threatening accidents, self doubts, obnoxious reporters, and the boredom of extended space travel.

Støvsugerbanden(da)

Aorta(no)

A Norwegian short film.

Techno Brothers(ja)

The band "Techno Brothers" played by Watanabe, brother Watanabe Yuji and pal Kurosaki Takanori, go to find fame and fortune in Tôkyô. It’s more accurate, though, to call it their manager’s plan. Named Himuro, she channels the look and attitude of famed Vogue editor Anna Wintour, from her bobbed hair and ever-present sunglasses to her commanding air and iron will.

Gutierritos(en)

Timid, browbeaten salaryman becomes famous author overnight.

Liam Gallagher - Isle of Wight 2021(en)

Former Oasis frontman Liam Gallagher headlines the main stage at Seaclose Park.

Mind Games(en)

After suffering a head injury during training, aspiring footballer Jordan traverses his own mind and memory in order to rediscover his passions and fix his broken relationship with his Coach Father.

The Silver Wedding(en)

Thieves plot to steal the gifts at a wedding.

Veronica Doesn’t Smoke(it)

Veronica is 17 years old and for a long time she has been spying from afar a life different from hers, and she chose it for herself. When she finally manages to approach Alessia, she immerses herself completely in this new world that appears to be the same and at the same time different from what she imagined.

El Chapo and the Curse of the Pirate Zombies(en)

A sexy soap opera actress, a Hollywood movie star, a has-been tabloid journalist, a Mafia Boss and a drug lord fight zombie pirates.

Something to Sing About(en)

James Cagney has a rare chance to show his song-and-dance-man roots in this low-budget tale of a New York bandleader struggling with a Hollywood studio boss.

Camera Trap(en)

A wildlife film crew pursue local sightings of a rare wildcat in Central Asia using high-tech camera equipment.

The Last Days of Contrition(en)

“The Last Days of Contrition (35 minutes black and white 1988) is an exploration of the Canadian and American landscapes, and the relationship between the two. The narrative deals with a journey through timeless, vacant American landscapes (baseball stadiums, Venice Beach, Mojave Desert, and a US Missile Base). The photographic strategy is influenced by a consciousness of light, a quintessential characteristic of American photography. I documented the American landscape in the tradition of the early formalist photographers (Walker Evans, Paul Strand, etc.) allowing there to be content in form. The Last Days of Contrition straddles two cultural forces while developing an understanding about our Canadian origins and muses. (RK)

Stray Cats: Live at Montreux 1981(en)

When the Stray Cats rolled into Montreux in July of 1981 they were one of the hottest properties around. They had 3 hit singles and a UK top 10 album already under their belts along with a string of headlining concerts, all of which had come since their relocation from New York to London in 1980. The band's combination of original songs and rockabilly classics with a punk attitude and style had caught the moment to perfection. Added to this were their considerable musical accomplishments and knack for songwriting. All in all it was a heady concoction and the crowd in Montreux reacted with near hysterical excitement, something rarely seen in what is usually a polite and reserved audience. This is the Stray Cats at their peak.

Toscanini in His Own Words(en)

This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.

Massenet: Thaïs(fr)

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

Gounod: Faust(fr)

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.

The Nutcracker(en)

This version of "The Nutcracker" gives the classic ballet a tragic spin, with Masha (instead of Clara) now the unloved, unappreciated daughter of the Town Council President. At a Christmas party, Masha is given a seemingly alive Nutcracker by her Uncle Drosselmeyer, and Masha instantly is enchanted with it. The toys come to life at midnight, and after Masha helps the Nutcracker defeat attacking mice, he takes her to his kingdom, where he is later revealed to be a handsome Prince. The Prince and Masha fall deeply in love, but their "happy ending" has a morbid twist not found in any other "Nutcracker".

La Traviata(en)

Few singers have plumbed the depths of the role of Violetta as did she incomparable soprano Renata Scotto. Her interpretation surprises with fresh insights at every turn, illuminating aspects of the character that are latent in the libretto and the schore but rarely dramatized with such completeness. For example, when Germont meets Violetta, he is immediately struck by her strong bearing ( Quai modi! , he exclaims in an aside).

Giuseppe Verdi - Un Ballo in Maschera(en)

Verdi - Un ballo in maschera / Domingo · Barstow · Quivar · Jo · Nucci · Rydl · Chaignaud · Wiener Phil. · Solti · Schlesinger · Salzburg Festival 1900

The Metropolitan Opera: Boris Godunov(en)

Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.

The Metropolitan Opera: Così Fan Tutte(en)

Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.

Don Pasquale(it)

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Amadeus(en)

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Rossini: Il Barbiere di Siviglia(en)

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.

Rossini: Armida(it)

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

Salzburg Marionette Theatre: The Magic Flute(de)

The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.

Norma: Live from the Royal Opera House(it)

The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion.

The Metropolitan Opera: Tristan und Isolde(de)

Met audiences were fascinated by Mariusz Treliński’s gripping, visionary production of Wagner’s epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde’s confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan’s loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner’s monumental score.

Eugene Onegin(ru)

A filmed version of Tchaikovsky's opera. Onegin visits a friend, his fiancee and her sister Tatiana, who believes Onegin is her fated love. She writes a note telling him so, but he rejects her. Years later he returns, finding her married, but now he's smitten with her.

Stravinsky: The Rake’s Progress(en)

The Rake's Progress is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. Filmed in Aix-en-Provence, 1992.

Madama Butterfly - Teatro alla Scala(it)

Prodaná nevěsta(cs)

The Metropolitan Opera: Don Giovanni(en)

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.