The Ring Cycle: Das Rheingold(1991)

The Ring Cycle: Siegfried(de)

SECOND DAY OF THE RING CYCLE. Alberich's brother Mime raises the orphan Siegfried, hoping that Siegfried will kill Fafner and enable Mime to gain the ring. Mime attempts unsuccessfully to reforge the Nothung. Fulfilling prophecy, Siegfried reforges the sword himself and kills Fafner, who has the form of a dragon. When he accidentally tastes the dragon's blood spilt on his hands, Siegfried understands the song of a woodbird, who instructs him to take the Ring from Fafner. Reading Mime's thoughts of betrayal, Siegfried kills the dwarf as well. The woodbird also informs Siegfried of a mysterious woman asleep in the midst of fire, and Siegfried sets off to find her. After defeating a disguised Wotan and breaking his spear, Siegfried successfully awakes Brünnhilde, and the two fall in love. Filmed at the Bayreuth Festspielhaus in June & July 1992.

Hijabers in Love(id)

Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.

Great White Fight Club(en)

Experts set out to prove that female great white sharks rule the ocean.

Cop-Out(en)

John Sawyer, once an eminent barrister, has slid into a life of cynicism and drunkenness since his wife left him. When his daughter's boyfriend is accused of murder, Sawyer decides to try to pull himself together and defend him in court.

A Fiend's Love(en)

A resentful entity continues to come back to the Saha World in search of his lost love while battling against the secret guardians of the world. He fails his plan of trying to stay in this world but finds the true solution to his vengeance.

Le Bey de Tunis et les personnages de sa suite descendant l'escalier du Bardo(fr)

Dark Power(en)

When the mayor of a crime-ridden city and his opponent are both assassinated while seeking election, two FBI agents, John Archer and Mila Driver, reluctantly join forces to investigate the murder only to discover that City Hall holds more secrets than the identity of the killer.

Sing to Me(en)

A young man named Sebastian Murphy has spent a decade moving around the country with his mother after her company went bankrupt. Now that she has found a stable job the are living in Wexford Town for six months. Sebastian has become close with Sean Gerrad who has brought him into a new group of friends but nobody knows that Sebastian has a secret. He is a fantastic musician and he is hopelessly in love with Lara but too afraid to do anything about it.

Emperor(de)

‘The Emperor’s New Clothes’ in a new robe. KAISER translates Hans Christian Andersen fairytale into a company in the 21st century. A dystopian yet colorful narrative about power, hierarchies and invisible caterpillars.

Paul et Ladurée : L'histoire secrète des boulangers milliardaires(fr)

The Fog of Srebrenica(en)

This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

The Cross Roads(en)

A melodrama about a girl who has to marry the landlord in order to save her parents’ home.

Investigaytion(en)

Concerned parents hire a private detective to tail their son because they think he might be gay.

Cougar: On the Trail of the Ghost Cat(fr)

In the heart of southern France there is a fog-prone area where, according to legend, a bloodthirsty creature wreaked havoc 250 years ago. A rumor is spreading again in this legendary place, as eyewitnesses report an animal with large paws and a long tail that crosses roads in a single leap - powerful enough to tear down a horse and leave it mutilated in the pasture. Is the Beast of Gévaudan back? The animal photographer Bruno Loisel has a supposedly more rational explanation. The animal that fits the descriptions could be a cougar, but this species of big cat is only native to America. In order to learn the proper techniques for tracking down the puma, he travels to Canada, where he accompanies a team of researchers dedicated to studying the shy, almost invisible predator. Will Bruno be able to use his findings to solve the mystery of the new beast of Gévaudan?

Azotes de Barrio 2(es)

Hot Take: The Depp/Heard Trial(en)

Follows the tumultuous relationship—in and out of court—of Johnny Depp and his ex-wife, Amber Heard.

Imaginary Portrait(es)

Through the creation of a family portrait, a mentally imbalanced young artist connects with her dead mother to exact revenge on her ghoulish father and abusive grandfather.

Tiffany Jones(en)

Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein. Based on the Daily Mail comic strip.

Chloroformed And Cloned Co-Ed(en)

Suzy Johnson (Tina Krause) and her boyfriend are adding some new kicks towards there sexlife. But Suzy ends up dead after an experiment with chloroform and electrocution. A deranged medical student clones Suzy 16 times. But they all escape and enters a house with a German butcher who only likes to violate them.

The Fox in the Chicken Coop(he)

Amitz Dolniker, an Israeli politician who speaks way to much has a heart attack in the middle of his speech. In the ambulance on the way to the hospital the doctor orders him to "go someplace quite, rest, and don't make speeches". His young assistant immediately suggest they go to Switzerland, however Dolniker had taken a vow not to leave Israel unnecessarily, so he comes up with a different idea - going to a remote village where they have never heard of him, so he would not be asked to make any speeches. As they arrive, it turns out that not only the villagers have never heard of Dolniker, but they have also never heard of running water, electricity, phones, and most importantly: TV, Radio, and newspapers... so its only a matter of time before Dolniker or the villagers go bananas...

Dimitrij(cs)

Dvorak's masterpiece. 1981 telecast conducted by Jan Štych.

Tristan Und Isolde(de)

Christian Thielemann conducts the Bayreuth Festival Orchestra in this production of Wagner's opera recorded in 2015. Starring Stephen Gould as Tristan and Evelyn Herlitzius as Isolde, the cast also includes Georg Zeppenfeld, Iain Paterson, Raimund Nolte and Christa Mayer.

Carmen(fr)

High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.

Verdi: Don Carlo(it)

Elizabeth of Valois is promised in marriage to Don Carlos of Spain, as part of a peace treaty between the two kingdoms. They meet and fall in love – but no sooner have they declared their love than news comes that the terms of the treaty have changed: Elizabeth is to marry Carlos’s father Philip instead. Politics and religion are dangerously entwined in Giuseppe Verdi’s Don Carlo. Performed on November 30th, 2016, at the Opéra national du Rhin, Strasbourg.

Un Ballo in Maschera (Verdi) - Arena di Verona(it)

Britten: Death in Venice(en)

A staging of Britten's opera filmed at the Teatro La Fenice in Venice in June 2008.

Beethoven: Fidelio(de)

Beethoven's opera Fidelio, conducted by Karl Böhm, featuring Gwyneth Jones as Leonore and James King as Florestan

Ariane et Barbe-Bleue(fr)

This recording of the opera Ariane et Barbe-Bleue by Paul Dukas was staged at the Liceu in Barcelona in 2011, with Claus Guth as director, Stéphane Denève as conductor and José van Dam and Jeanne-Michèle Charbonnet in the leading roles.

Mussorgsky: Boris Godunov(ru)

A one-off production of Boris Godunov was staged by Andrei Konchalovsky at the Teatro Regio in Torino in 2010, with Orlin Anastassov in the leading role and Gianandrea Noseda conducting the Orchestra del Teatro Regio.

Purcell: The Indian Queen(en)

A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.

Mozart: Die Zauberflöte(de)

Magic opera, Singspiel, a comedy with spectacular stage effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any other work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to enjoy such undisputed success despite all these debates – and for over two hundred years at that.

Fidelio - Beethoven - Opernhaus Zürich 2008(en)

Translucence, transparency – warmth’ are the qualities identified by Bernard Haitink as necessary for an ideal sound performance of Beethoven's only opera, and all are present in this fantastic recording of Katharina Thalbach's 2008 production for Opernhaus Zurich. Haitink conducts the Zurich Opera Orchestra in a magnificent performance in which Leonore Overture No. 3 provides an interlude between the two scenes of the second act, following a tradition started by Gustav Mahler. German soprano Melanie Diener, in the role of Leonore, leads a brilliant cast including Alfred Muff as Rocco, Roberto Saccà as Florestan, Sandra Trattnigg as Marzelline and Christoph Strehl as Jaquino. This High Definition recording with true surround sound marks the start of the exciting collaboration between Opus Arte and Opernhaus Zurich.

Rodelinda(it)

Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.

L'Orfeo, Favola in musica(en)

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’

The Metropolitan Opera: Puccini's La Rondine(it)

This elegant romance is the least-known work of the mature Giacomo Puccini . The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon. La Rondine (The Swallow) was commissioned by Vienna s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa. Set in a Parisian salon, it is the story of Magda, the glamorous mistress of wealthy banker Rambaldo. Her yearning for romantic love compels her into the arms of the ardent and adoring young Ruggero.

Gounod: Romeo et Juliette(fr)

The sensational hit of Salzburg's 2008 festival season arrives on DVD! Starring tenor Rolando Villazón in a stunning performance, this was the must have ticket of the season. Soprano Nino Machaidze, only 25 years old, burst upon the Salzburg stage with an emotionally vulnerable and vocally spectacular performance. With movie star good looks and a large, warm voice, Machaidze wowed the press and audiences alike. Tony Award winner (South Pacific) Bartlett Sher directs this production of Gounod's classic opera. With sets by Michael Yeargan and costumes by Catherine Zuber, the visually vibrant production is sure to become the benchmark. Bonus materials includes "Salzburg Impressions--Behind the Scenes of Roméo et Juliette," "Love and Death in Verona" and Villazón giving an introduction to the opera.

Alfano - Cyrano de Bergerac(fr)

While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.

Lisa Limone and Maroc Orange: A Rapid Love Story(et)

Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.

Wagner: Tannhäuser(en)

Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.

Mussorgsky: Khovanschina(en)

One of Modest Mussorgsky's great talents was his unique ability to transpose words, psychological states, and even physical movements, into music. Kent Nagano rises magnificently to the challenges presented by this score. And Dmitri Tcherniakov's fascinating production emphasizes the timeless quality of this sombre tale of intrigue and power struggles reminiscent of a Greek tragedy, reflecting Mussorgsky's own maxim: "The past in the present - that is my task."