The Husband Hunter(1920)

The Story of the Kelly Gang(en)

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

The Awakening(en)

Abandoned on the church steps at birth Jacques Revilly is a pariah in his small hamlet finally heading to Paris to fulfill his dream of being an artist. After three years he has become quite adept but due to his slovenly ways and appearance he has been nicknamed “The Beast” and is once again exiled among society. One night he discovers a young girl who has collapsed in the roadside snow, with the assistance of his one friend Varney they nurse her back to health and “The Beast” begins to mend his ways.

The Private Life of Helen of Troy(en)

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

A Stage Romance(en)

A silent film about the famous Shakespearean actor Edmund Kean, whose life intertwines with a young woman, Anna Damby, and Countess Koefeld. Kean, inspired by the Countess, becomes entangled in a plot involving Anna, her guardian, and a roué named Lord Melville. The story culminates in a benefit performance where Kean's passionate denouncement of the Prince of Wales leads to his downfall.

Conscience(en)

Serama, the consort of Lucifer, is driven from Paradise by the Archangel Michael, who commands Conscience to enter human souls to judge and punish them. In the main story, society girl Ruth Somers, a reincarnation of Serama, prepares to marry Cecil Brooke, the wealthiest man of her set. Her guardian, Dr. Norton, an incarnation of Lucifer, constantly accompanies her. Ruth is summoned to the Court of Conscience, where the witnesses, Lust, Avarice, Hate, Revenge and Vanity, testify about Ruth's history of seducing and abandoning men. This behavior resulted in the suicide of Madge, the lover of Ned Langley, whom Ruth enthralled and promised to marry, and also the deaths of two rivals for her love. Ruth is ordered back to earth to learn her sentence. When Ned interrupts the wedding, Ruth scorns him and he shoots himself. After Brooke leaves her, the Court dooms Ruth to live with the torment of remembrance. Ruth sends Norton away, and then kneels and repents.

Somebody Lied(en)

Two reeler served as Jean Arthur's screen debut.

The Mad Racer(en)

Van Bibber is spending his vacation with Colonel Paddock's party at the ranch owned by Paddock's friend. The peace and quiet is often disturbed by a desperado known as The Mad Racer, who has been hired to keep Van out of the Buggy Race.

A Lady's Name(en)

Bright young novelist Mabel Vere is engaged to Gerald Wantage, a prig who angrily objects when she advertises for a husband in order to elicit ideas for her new book. Mabel's roommate, Maud Bray, a physical culture expert, frightens away the less desirable suitors, while the writer responds to the more interesting letters, and soon becomes embroiled in a number of adventures.

Cradle Snatchers(en)

To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.

The Pit and the Pendulum(en)

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

Broadway Fever(en)

Stagestruck Sally McAllister can’t get an appointment with famed theatrical producer Eric Byron so Sally responds to an ad for a maid only to discover that she will be working for Byron himself! Falling for him but still burning with ambition she arranges for Lila Leroy, Byron's leading lady, to take a train to Oakland, California instead of New Jersey, then hot foots it to Oakland, New Jersey, where Byron's latest play is taking place, and impersonating Lila by wearing a blonde wig but as dress rehearsal approaches will she get away with the subterfuge?

The Bride's Awakening(en)

A husband orders his wife to keep their marriage a secret, in order to better continue his affair with a married woman.

Tomboy(ru)

The Risky Road(en)

Ida May Park started in the film business as a scriptwriter, but in 1917 Universal announced that Park would direct films with actress and producer Dorothy Phillips for the company’s Bluebird brand. Park’s films often had a strong female perspective and The Risky Road is no exception. The story of a country girl who comes to the city to work, but falls for a rich man and undeservedly gets a bad reputation, the film was marketed as “the drama every woman should see”. The surviving fragment, showing the despair of Phillips’s character, is a real cinematic gem that leaves one yearning for more material of the film to be discovered. In 2008, a tinted nitrate fragment, with Swedish intertitles at the opening of the second reel, was deposited at the Archival Film Collections of the Svenska Filminstitutet. From the fragment, a 35mm B&W duplicate negative was made, from which this print was struck using the tinting of the nitrate as color reference.

No Other Woman(en)

Frenchman is engaged to marry South American heiress but a fortune-hunting friend disrupts the romance and marries the girl himself. She later realizes her mistake after her no-good husband has frittered away most of her fortune and she turns back to her first love.

Satan Triumphant(ru)

Pastor Talnoх furiously urges the flock to fight temptations, but he himself becomes a victim of temptation. In his house appears Satan, pushing the hero to theft and spiritual fall.

Winds of Chance(en)

A love triangle set against the turn-of-the-century gold rush.

War and Peace: 1918(xx)

Ducrot and Ninette accuse Mario and Anny of owing their wealth to the murderous effects of Mario's bombs. Anny leaves for the front to care for the wounded. Third part of Maurits Binger's epic silent trilogy. Most of the film is considered lost – a single fragment remains.

A Fortune Hunter(sv)

Historical drama which features Gösta Ekman as the dashing rogue who steals the heart of the ethereal Mary Johnson.

A Scarlet Angel(sv)

The criminal couple Louise Kent and Charles Zukor stages a coup in the luxury restaurant Oriental. In the midst of a dance number goes suddenly all the lights out. In the confusion that arises one of the elegant guests is deprived of her jewelry.