This Was the Time(1970)

Ningwasum(ne)

Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.

The Paradox of Norval Morrisseau(en)

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

Shellmound(en)

“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.

Son of Torum(et)

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Spirit of the Reindeer(sv)

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

Stolen Spirits of Haida Gwaii(en)

Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.

Haida Gwaii: Islands of the People(en)

Describes the natural resources of Haida Gwaii and its relationship with the Haida. The video opens with a creation myth and develops in a chronological manner. Each section deals with a resource area and how the Haida have lived in balance with it. It briefly discusses current forestry issues and land rights

Sky Aelans(en)

Directed by nine Indigenous Solomon Island filmmakers, this is both a love letter and lament for the eponymous traditional lands.

Monica in the South Seas(fi)

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

Fata Morgana(fi)

A look into the recent history of the Chukchi people.

Coffee: Songs of Smoke(es)

In the town of San Miguel Tzinacapan, in Puebla’s Nahua Mountain Range, a family lost its father. His absence transforms the lives of those who were so deeply connected to him. Tere, now in charge of the family, must make money by selling crafts. Jorge is about to finish school and will soon have to choose his own path. Chayo, 16, must make an important decision. A year has passed, and the members of the family have been able to redefine themselves, finding their own destiny while always venerating their father’s memory.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Flor Brilhante e as Cicatrizes da Pedra(pt)

The Federal Court Hearing(en)

Amid a severe housing crisis that made international headlines in 2011, the federal government imposed third-party management on the Attawapiskat First Nation. In response, the First Nation’s leadership filed a challenge in federal court, claiming the appointment was unreasonable, contrary to law and harmful to community members. Alanis Obomsawin documents the remarkable judicial review that ensued in April 2012 in this companion work to her feature documentary The People of the Kattawapiskak River.

The Haida in Canada(de)

Haida Gwaii, an archipelago off the west coast of Canada, is home to Skil Jaadee and her family. They live in harmony with nature and have made it their mission to save their language and preserve their history.

Bill Reid(en)

Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.

Nose and Tina(en)

The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.

Mother's Land(tl)

Waking up in a nightmare before the sunrise of December 30, 2020, the indigenous community of the Tumandok was suddenly surrounded by fear. Panambi features the stories of bright memories of the past and the despair of having now as a mere memory of the future without a trace of justice; how they lived and what they lived for. A decades-long struggle is shot, one in the lens of a mother paralyzed by fear; another from a mother raged and moved by fear—both looking forward to a better tomorrow.

Savages: The Story of Human Zoos(fr)

For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.

Cartas do Kuluene(pt)