2019-09-16
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Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
The Pickle Family Circus was founded by Lorenzo Pisoni's parents in 1974. The film documents the spirit, the lunacy, the daring, the danger and the dynamics of growing up in a circus family.
This documentary is about the Italian small family circus, based on the old street theatre of the Commedia dell'Arte. Since World War II, they have diminished in number and today hardly exist anymore. They simply can't compete with modern times entertainment, symbolized by television. The film portrays and follows the Colombaioni family, six brothers and two sisters, their children and grand children. Most of them work in their own small circus(father, mother, children). Two of the brothers, Carlo and Alberto left the circus and now have a theatre show, based on their improvisation skills that they learned in the circus. The family is known by their collaboration with Frederico Fellini and Dario Fo. They appeared in many a Fellini movie -o.a. La Strada, Le Notti di Cabiria and I Clown.
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.
Alexander Calder created and performed one of the most important and beloved works, his miniature circus (1926-1931). More than twenty years later Jean Painleve made Le Grande Cirque Calder 1927, begun in 1953 and completed in 1955.
Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Elephants are among the most majestic and intelligent creatures on Earth--but for hundreds of years, they have suffered at the hands of humans. Narrated by Lily Tomlin, this documentary short traces our long history with elephants and explores the many problems that arise when they are brought to live in captivity in zoos and circuses.
From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.
Cirque du Soleil presents The Mystery of Mystère, a captivating documentary that explores how arts and science merge together using Mystère, the critically acclaimed Las Vegas show at Treasure Island, as the outlet for this message.
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
French filmmaker Laurent Chevallier always wanted to make a documentary on an African circus, but there were no native circuses on the continent. So Chevallier decided to help found a circus in Guinea. 36 young people were chosen from the city of Conakry to participate in what would become Circus Baobab. A group of French circus artists were imported to train the participants for 2 years in acrobatics and trapeze. Then the group took their show on the road. This film is Chevallier's account of the troupe's inaugural tour in Guinea, from March 1 - April 11, 2000.