CIVIL WAR SURVEILLANCE POEMS (Part 1)(2019)

The Wars of the Roses: A Bloody Crown(en)

Using historically-accurate, battle-filled re-enactments and interviews with expert historians and noted authors, this two-part documentary series brings to vivid life the captivating true stories behind Britain's bloody civil wars.

His Name Was Jason: 30 Years of Friday the 13th(en)

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Discovering Dominga: A Survivor's Story(en)

Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.

Sinaia, más allá del océano(es)

Faces of Death II(en)

Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.

Faces of Death III(en)

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

Faces of Death IV(en)

Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.

Faces of Death V(en)

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Faces of Death VI(en)

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Fake Blood(en)

Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie Mon Ami, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims.

Timetravel_0(en)

TIMETRAVEL_0 is an extraordinary docudrama that follows Cris McCarthy as she explores the urban web legend of John Titor, the man that came from the future. Cris searches for evidence of Timetravel and John Titor's predictions of a massive civil war. In the process of her filming, her work was investigated by authorities and eventually confiscated by the government. Its recent release has allowed it to be edited and produced.

How the Monuments Came Down(en)

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

Dark Side of the Moon(fr)

A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.

Halloween Home Haunts(en)

The new documentary from Apprehensive Films follows eight Home Haunters in their pursuit to transform their nice suburban homes into visions of the macabre. Their obsession with Halloween has lead them to spend thousands, dedicate countless hours and resources to acheive their horrific attractions and to scare the daylights out of unsuspecting trick-or-treaters. We'll meet all sorts of different haunters from basic yard haunts to one's so extreme they go beyond their property lines. Special features include: Trailers, Spotlight on Hauntcast, Larry Scholl's Tiki Room, Alternate Opening and Behind the Scenes at Night Frights.

Silvered Water(fr)

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Maria's Story(en)

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Colombia in My Arms(fi)

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

Gush(en)

An embodied rumination of both male and female power, healing and haunting, all within an apocalyptic world. A transformation that courses through unknown terror to untamed collective joy.

Nobody Wants Your Film(en)

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Por Diabos(pt)