George Reddy(2019)

Tholu Bommalata(te)

A family film directed by Viswanath Maganti, starring Harshitha Chowdary and Viswant Duddumpudi in the lead roles.

RX 100(te)

When a city-bred girl comes home to her village, she falls for the macho village boy and asks him out. As a passionate romance brews, the guy falls madly in love with her, but does she feel the same way? Or is it just a passionate summer fling?

Maintenance by Any Means(en)

"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.

Amos 'n' Andy: Anatomy of a Controversy(en)

The history of the television version of "Amos and Andy" and the public outcry to cancel it.

Carpenters(fr)

In front of a building, five carpenters are working on woodworking machines.

The Daddy's Meat(ru)

A gloomy tale or a completely innocent family picnic on the open air ...

As It Happened: Guadalcanal(en)

In August 1942 US Marines storm ashore on the Japanese-held island of Guadalcanal. The six-month campaign that follows is brutal and becomes etched in Marine legend.

Bride of the Regiment(en)

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Baignade de nègres(fr)

A group of black youths jumping from a dock into the water.

Das Kindermädchen - Mission Südafrika(de)

My Little Girl(en)

A young girl agrees to work in a center for girls who can't stay with their parents. She gets wrapped up in the plights of several of the girls, and tries to help them, but only gets herself into trouble with her parents and supervisor.

Vishwanath(hi)

An honest lawyer, Vishwanath is implicated and imprisoned at the behest of powerful underworld don, GNK and his associates. After his release from prison, Vishwanath decides to seek vengeance, but finds out that it is virtually impossible to do this through due process of law. So he decides to change his identity, hire a gang of crooks and assassins, to carry out his vendetta. Not realizing that in doing this he is alienating himself from the love of his life, Soni; and making himself a wanted man by the police, leaving his crippled sister, Munni and mom, Shanti to fend for themselves, and at the mercy of GNK and his associates.

Amanogawa(ja)

High schooler Shiori lives with her education-minded mother. Struggling with her life in Tokyo, she travels on behalf of her grandmother to the mystical island Yakushima, where she meets a robot.

Better Days(en)

A widow finds a new lease on life through the joy of cosplay.

Fun(en)

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

The Groom Talks in His Sleep(ja)

This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.