New York cab and black car drivers are facing economic and emotional hardship in a city dominated by ride-share apps. As these long standing industries are decimated by economic and political forces, drivers are forced to cope or fight back.
In the mid 1800s, New York City was one of the most crowded places on earth. The congested streets and pokey transportation system were a source of constant complaint. On March 24, 1900, ground was broken for the Big Apple's subway; the Interborough Rapid Transit Line opened four years later, running more than 26 miles of underground track at the speed of 35 miles per hour. Soon thousands in the city were "doing the subway."
The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.
On the night of Oct. 2, 2005, Hart and Dana Perry's 15-year-old son Evan jumped to his death from his New York City bedroom window. This moving film is the story, told by his filmmaker parents and others who knew him, of Evan’s life and death, and his life-long struggle with bipolar disorder. It delves into the complexity of Evan's disease, sharing his family's journey through the maze of mental illness. In showing how one family deals with generations of loss and grief, the film defies the stigma related to mental illness and suicide and tells a human story that touches everyone.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
Four kids, who all lost a parent to suicide, share their journey from the moment they heard the news. The filmmaker, who experienced the same tragedy, asks them the questions no one dared to ask her at the time.
The morning of September 11, 2001 is shown through multiple video cameras in and around New York City, from the moment the first WTC tower is hit until after both towers collapse.
Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowenstein’s documentary examines Hutchence’s deeply felt life through his many loves and demons.
A documentary about Pat the Cat and other roller disco skaters who want to make it big doing what they do.
Satan in the Suburbs tells the shocking story of a grisly ritualistic murder in the quiet bedroom community of Northport, Long Island in the summer of 1984. The killing, it soon emerged, was linked to a teen satanic cult. Perhaps more disturbing than the details of the murder itself was the revelation of a conspiracy of silence among the town's teenagers, many of whom had been aware of the, e killing in the two weeks before an anonymous call finally tipped off local police. 17- year-old Ricky Kasso was arrested and confessed to the crime; five days later, he hung himself in his holding cell. Kasso's friend Jimmy Troiano also. confessed, but was acquitted after jurors learned that he was beaten by local police. The murder shocked the local community and reverberated nationally, with some uninformed observers rushing to scapegoat rock music as the cause.
Director Drew Stone’s New York Hardcore series returns with The New York Chronicles Film 1.5. Featuring never before seen footage and brand new interviews with Sammy Siegler (Youth Of Today / Judge), Jay Peta (Mindforce), Bob Riley Stigmata / Murderers Row) and more. The journey continues throught the community and culture of the iconic New York Hardcore scene that is still vibrant, relevant and going strong to this day. “NYHC Forever And Always!”
At the twenty-year apex of their career, the Japanese quartet add another captivating live release to their extensive catalog. Shot ‘in the round’ at le Poisson Rouge in NYC, DOKU-EN-KAI delivers the band completely absorbed by their element in a kinetic, impassioned and frenzied set that brings toe's renown and allure into sharp, unmistakable focus.
Some want to keep it a secret, others want to deconstruct it, and some New Yorkers simply want to celebrate the city's fabled chopped cheese sandwich.
A portrait of Benny Fredriksson who for 16 years was CEO of Kulturhuset / Stadsteatern. He also had a background as an actor and director. In connection with a media hunt he resigned and later took his own life.
The Queensland country town of Warwick was shocked when a flock of sheep was brutally massacred on a local property. They were even more shocked when they discovered the killings were, in fact, a sacrificial offering to Satan. For the first time, John Burdoe, the teenager who started this satanic cult, tells how he planned and executed the bloody ceremony. He also tells how he came close to stabbing one of his followers, a young man who later died in mysterious circumstances.
A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.
This film is a portrait of New York in the 1980s by famed photographer Steven Siegel, including footage of the subways, the parks, Times Square and other neighborhoods. The film is narrated by teenagers of that era.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
The 60s equivalent of Reefer Madness and all those other 30s drug exploitation flicks. Apparently, dropping acid leads to stripteases, cat fights, promiscuous sex, playing with kittens, and being convinced your dinner is much larger than it actually is. This is all illustrated in a series of silent sketches accompanied by a droll narrator who seems positively doped out of his mind.