Demeure(2019)

Belgium - 20(fr)

What happens when a world that relies on traffic and the logistics that allow it comes to a standstill? What happens when sickness and even death are taken from us?

Lorena: Light-Footed Woman(es)

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Sœur Sourire: Who Killed the Voice of God?(fr)

1962. A crystalline voice becomes a planetary tube. A Belgian nun jostles Elvis and the Beatles on the world charts. Her name: Sister Smile. A popstar with the trajectory of a comet who understands her success no more than the double meaning of her words… The harder the fall will be. Even God does not protect sharks' appetites or pretenses of success! Who killed the little voice of God? Here is the tragic story of an innocent voice, of an extraordinary fate, almost of a curse ...

L'Odyssée des enfants d'ULIS(fr)

Children in Crisis: The Story of CHIP(en)

In the midst of a catastrophic steel industry collapse, a remarkable grassroots community effort leads to a national healthcare program that helps more than 200 million children...and counting.

Hell(es)

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

Mémé(fr)

Belmondo, le magnifique(fr)

With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.

The Last Days With Eliane(ar)

A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.

I Am Gentrification. Confessions of a Scoundrel(de)

Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.

Our Dear Sisters(en)

Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.

Hanging On(en)

Set in Oulton, Leeds - some of the last remaining post-war prefabricated houses in the UK are still standing. Residents of this ex coal mining village now at threat of eviction share their stories of community and family as they look to their future. ‘Hanging On’ is a docu-drama that combines artistic visuals of residents suspended in mid air, literally hanging onto their homes and audio interviews about the strength of what happens when people come together. It reminds us about the struggles of people who are slipping through the cracks of society and what it means to have a home.

Fish Story(cn)

J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?

Seeing Through the Darkness(uk)

The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.

Il mio nome è Battaglia(it)

The Salt Mines(en)

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

Valomanden(da)

Stop for Bud(da)

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Likhaya(en)

A look at the rampant HIV epidemic rate in Swaziland.

A Life Like Any Other(fr)

Over many years, the director’s father filmed his family life almost obsessively. His daughter’s birth, his son’s first steps, and always Valérie, the young mother. An impressive fund of material which their now grown-up daughter Faustine appropriates to tell quite a different story: that of a woman who sees her role as a mother and its demands take away her freedom step by step.