In moving interviews, four fathers describe their suffering and efforts to keep contact with their children. A mother justifies the refusal of contact from her point of view. Despite the seriousness of the topic, the film manages to remain entertaining and even delivers an amusing snapshot of German sensitivities and the state of the Republic.
Er selbst
Er selbst
Sie selbst
Sie selbst
Er selbst
Er selbst
In moving interviews, four fathers describe their suffering and efforts to keep contact with their children. A mother justifies the refusal of contact from her point of view. Despite the seriousness of the topic, the film manages to remain entertaining and even delivers an amusing snapshot of German sensitivities and the state of the Republic.
2009-06-11
0
At the end of the 1960s, Vanesa’s parents fled the Franco-regime’s deep poverty to pursue their dream in the Netherlands. Working their blue-collar jobs for hours and hours, for over 45 years, their purpose was to return to Spain wealthy and comfortable. There, in a house full of Dutch porcelain and shiny gold, they can now finally rest. Vanesa was raised as Dutch, but still feels trapped in their expectant illusion, even with the distance between them. Torn between two homes, she starts to re-examine her past.
During the pandemic, living under an extreme right-wing government, filmmakers Bel Bechara and Sandro Serpa receive the news that would change their lives: there was a baby to be adopted.
When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.
A "Chinese" father reflects on the changing relationship of China and US during his trip to Beijing to retrieve his 3-year-old "American" daughter who has been stranded because of the recent "decoupling" of the two countries. Born in China and living in the American Midwest, filmmaker Yinan Wang attempts to unpack his own experience of how a transnational migrant family deals with the distress caused by identity, nationalism, and geopolitics.
A family’s difficult but endearing journey that re-defines motherhood: is it through nature or nurture? Yasmine is a young woman forced to raise her 3 younger siblings after being struck with life’s difficult circumstances. Trying to provide for their stability, she begins working random part time jobs to make quick and easy money and is constantly trying to balance between her personal life and work life. This family’s journey is difficult, but it is surely heartwarming. Throughout the film, we discover why Yasmine has to be responsible for her siblings despite her age.
This short documentary is a tribute to the unknown father. Emerging filmmaker Danic Champoux poses the question "How many men still have to uproot themselves and leave their families to get work?" as he sets out to search for his own father. He wonders about these men who are labourers, itinerants, and mostly nameless, but who are all exemplary providers. But at what cost? This film was produced as part of the Libres Courts collection of first-time documentary shorts.
Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
In this documentary shot at Canadian Forces Base Petawawa during a troop deployment to Afghanistan, children and teens talk about the particular circumstances of having soldiers as parents. Directed by Claire Corriveau, Children of Soldiers lifts the veil on a reality shared by thousands of young Canadians, and on the difficulty of finding a balance between loyalty to the troops and staying true to themselves.
Sonia Reich- who survived the Holocaust as a child by running and hiding, suddenly believes that she is being hunted again, 60 years later.
Homeless man Robert (Bobby) Webb discovers the art of filmmaking, turning pages of his life into a heartfelt reel. Through his journey he finds hope and new meanings in unexpected aspects of his life as he relives them.
A double-edged letter in the midst of confinement. Javier starts sending videos to his son to catch him up on his new life. Through these videos, Nico will try to respond to his father.
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.
Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.
A sensitive heart-warming story of an Indian transman's acceptance, by himself and his family. Merlin, born as a girl, felt right from his childhood that he was trapped in the wrong gender.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care.