This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.
This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.
2000-05-27
0
Yung Singh and Ministry of Sound present: The Birth of Punjabi Garage The documentary has a wealth of unseen archive footage showing exactly how it was in the garages and studios of the young Bradford and Manchester lads from the beginning, to the events, weddings and festivals that marked their success. The documentary is bookended by Yung Singh and his infamous and iconic Boiler Room, giving credit to the elders who paved the way for the continuation of South Asian presence in British dance culture. This documentary was produced in tandem with Yung Singh and is the first documentary to explore the genre. Documentaries have covered Bhangra, the 80s Daytimers and the Asian Underground but the South Asian diaspora’s involvement in the early 2000s Garage scene has never been covered and we are therefore proud to bring this to you!
After escaping Russia's communist revolution, Léon Theremin travels to New York, where he pioneers the field of electronic music with his synthesizer. But at the height of his popularity, Soviet agents kidnap and force him to develop spy technology.
Forsenes A symphony for eyes and ears: Forsenses it the first installment of the Blu-ray Disc series blu::elements that brings to life the full optical and acoustic potential of HD Definition. This ambitious project combined fascinating HD-shoots of the elements - water, earth, air and fire - with a specially composed 3D surround chill-out soundtrack, to make this an audiovisual symphony for the senses.
Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.
On Aug. 28, 2016, Tim Bergling, better known as Avicii, graced the stage of the Ushuaïa nightclub in Ibiza for what would be his final performance.
The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.
Romantic Warriors IV: Krautrock (Part 2) is the 2nd film of the Krautrock Trilogy, and explores eminent Krautrock bands from the South of Germany. Part 2 focuses on bands from Munich, Wiesbaden, Ulm, and Heidelberg, and highlights a more recent band from Aachen.
The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.
Scott's a 40-year-old preacher's son and a raver, enamored by marijuana and the synthetic drug Ecstasy, who puts his children's future at risk through his lassez faire approach to child-rearing.
Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.
An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.
An independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Inventors, musicians, and enthusiasts are interviewed about their relationship with the modular synthesizer — for many, it's an all-consuming passion.
Visionary musician and artist Brian Eno - known for producing David Bowie, U2, Talking Heads, among many others; pioneering the genre of ambient music; and releasing over 40 solo and collaboration albums - reveals his creative processes in this groundbreaking generative documentary: a film that's different every time it's shown.
Charting the untold story of the Balearic sound, and how hedonism gripped the hearts, minds and dance floors of the English Home Counties, fueled by the freewheeling party island of Ibiza.
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
A short educational documentary on early electronic composition and synthesizers.