Body Double 6(1996)

6:66 PM(en)

A team of ghost hunters gets more than they bargained for when the house they’re pretending is haunted turns out to be occupied by the evil spirit of a serial killer. Everything goes haywire as the demon fights to take possession of their bodies. Can they make it out alive?

Man(en)

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

Man(en)

Exploring the relationship between man and technology, this day-in-the-life story concentrates on a computer programmer, inundated by technology, living a secluded lifestyle in Laurel Canyon with his two dogs. He struggles to maintain any real connection with friends, colleague or family, outside of communicating with them over the phone or computer.

Rate Me(en)

A portrait of teen escort, 'Coco'.

The Sisters S-Scandal(ko)

Yoo-jin is rough and manly while Yoo-jeong is feminine and cute. Yoo-jeong works in an office until she finds out she's getting fired. The chairman uses this against her to provide sexual service and Yoo-jeong has no choice but to spend a night with him. Yoo-jin finds out about this and makes a plan to make him pay back...

Film(en)

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Balas & Bolinhos: O Regresso(pt)

A group of friends meet after some years apart and decide to go on a treasure hunt.

Os Trapalhões na Serra Pelada(pt)

The friends Curió, Boroca (Dedé Santana), Mexelete and Bateia they venture in search of gold in the mine of Serra Pelada. The area is controlled by the foreigner Von Bermann, whose orders are executed by the bully Bira. Thirsty of being able to, the foreigner smuggles the gold and he wants to take possession of the lands of the Brazilian Ribamar, that refuses to do business before the son's arrival Chicão. With the help of the four dabblers, the boy struggles with the thieves and it helps the father in danger.

Private House of the SS(it)

Top Nazi officials, intent on rooting out traitors and those in the military who may be plotting to overthrow Adolf Hitler, recruit and train a group of beautiful prostitutes whose mission is to use any means necessary to uncover plots against the Fuhrer.

Reencuentro(es)

RR(en)

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

Spider(en)

16mm, colour, silent.

9 Bullets(en)

A former burlesque dancer turned author discovers a second chance at life and redemption when she risks everything to rescue her young neighbor after he witnesses his parents’ murder. Now on the run from the local crime boss, who happens to be her longtime ex, she makes a desperate attempt to get the boy to safety.

Magic Kid II(en)

Kevin Ryan is Hollywood's leading teen heartthrob. He's the star of "Ninja Boy," a hot Martial Arts TV series. The trouble starts when Kevin decides he wants to leave the hit show, so that he can go to high school and lead a normal teenager's life. However, he is the Studio's biggest money maker and the unscrupulous executives are NOT going to let him leave. Their sinister plans involve a desirable young starlet, a muscle-bound mountain man, and an army of inept thugs trying to kill Kevin's loveable, but mixed-up manager, Uncle Bob.

Ninja Gaiden(ja)

A long time ago, there was a war between the Evil God and the Dragon God. The war finally came to an end when a Dragon Ninja, who had the power of the Dragon God, sealed away the Evil God.Several thousand years later, in New York, a young ninja named Ryu is attacked by a couple of men in black suits wearing white masks. He notices that they are related to someone worshiping the same Evil God of the past and resolves to fight against them before the Evil God is unsealed again.

Man(en)

A guy going through a rough patch, turns to her unusual best friend for help.

Adanis: Kutsal Kavga(tr)

Polcan and Shavka(ru)

Two dogs, Polkan and Shavka, watched a flock of sheep by the river. Suddenly, they notice a hare, chase after him and run into the forest, where they meet face-to-face with three wolves. Shavka, chickening out, backs away, and the brave Polkan takes the fight. In a fierce fight, he manages to defeat one wolf, but from wounds he loses consciousness.

Man(en)

A short video by Kyle Canterbury.

Behind, Behind The Scenes: How To Take A Shoot?(id)

As a film director works on his submission for a film festival, the mounting issues during production reveal what truly unfolds behind (the scenes) what we've seen.