A short "working class road movie".
A short "working class road movie".
1970-01-01
5
A few days after a massacre in a shantytown near Beirut, the director finds the children who survived. She approaches them by offering them crayons to draw. A link is created between them. They let her film their violent games: they repeat the scenes of horror they saw unfold before their eyes ...
Spooky Scary horror 3
From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
In dire financial straits, businessman John Baird considers liquidating the bonds that are held in trust for his little daughter Margery. Failing to comprehend her husband's desperation, Virginia Baird refuses his request and, upon overhearing his lawyer advising him to utilize the bonds without consulting her, she decides to place them in the hands of George Drake, an old friend. Drake hijacks the securities, however, and their disappearance leads to the break up of the Baird's marriage, resulting in Virginia leaving the house. Attempting to console her father, Margery sets out on her pony to bring her mother home. But she is held up on the road by Captain Kidd Jr., who adopts her as his first mate, and the two children take up residence on a grass hut on a nearby island.
Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.
Debauched parties with hot music and lots of shirtless, panty-less girls; it's all there in Munich. Everyone takes it pretty easy, only the somewhat shy Angie is shocked. She has other ideas about life and is waiting for the big love. Again and again her friends try to persuade her to join them and even when looking for a job she is only confronted with sex. First she is supposed to model for a painter - naked, of course, then she gets involved with a sex photographer and as a climax she ends up in a massage parlor. She takes flight and is totally frustrated - then she meets Charlie again, who had already helped her with a car breakdown. From now on, the events overturn...
Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny
Tujhe Dekhne Se Pehle tells the heartfelt journey of two friends, Vicky and Katrina, living in the United Kingdom. Katrina has secretly loved Vicky for a long time, but he remains unaware of her feelings. One day, Katrina invites Vicky to meet her at Tower Bridge in London. Over coffee and romantic conversations, their connection begins to deepen. Katrina takes Vicky on a memorable tour of the city, showing him iconic landmarks like Waterloo Underground Station, London Bridge, and the Parliament building. Their day ends with a car ride to Birmingham, where they stay overnight at a cozy hotel. The next morning, they visit Brean Down, a scenic coastal area. At the highest point of the walk, Katrina gathers her courage and proposes marriage. Touched and realizing his own feelings, Vicky accepts, and their bond blossoms into deep love. The music video delivers a heartfelt message: friendships can evolve into beautiful relationships, and life's unexpected turns often lead to love.
The story of the battle to free Debbie Peagler, an incarcerated survivor of brutal domestic violence. Over 26 years in prison cannot crush the spirit of this determined African-American woman, despite the injustices she has experienced, first at the hands of a duplicitous boyfriend who beat her and forced her into prostitution, and later by prosecutors who cornered her into a life behind bars for her connection to the murder of her abuser. Her story takes an unexpected turn two decades later when a pair of rookie land-use attorneys cut their teeth on her case -- and attract global attention to the troubled intersection of domestic violence and criminal justice.
"Children in the Surf, Coney Island" is a very short documentary with Billy Bitzer behind the camera.
After Hurricane Katrina, New Orleans handyman and blues singer-songwriter Gabe Recolte was bereft. Left homeless and heartbroken, he had been forced to evacuate and relocate before he could tell club owner Hattie how much he cares for her.
Memphis Depay’s new short documentary reveals his journey to Corinthians, his personal life in Brazil, and his dream of becoming the all-time top scorer for the Dutch National Team. An intimate portrait of transformation, belonging, and a deep bond with the local fans.
Released as an extra on the Depression era DVD of King Vidor's OUR DAILY BREAD, this short documentary shows how new communities were being developed, mirroring the theme of the fiction feature.
Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.
Documentary that portrays the life of a coal-mining town south of Havana, around 1955, prior to the triumph of the revolution.
Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.
Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.
Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.
This short documentary introduces us to a town where no one pays rent: Simoom Sound in central British Columbia, where loggers live on sturdy river craft. Every week there are visitors: the general storekeeper, the flying postman and most importantly, the forest ranger, who is ever alert to the threat of fire.
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
A one-frame long experimental short film from Yugoslavia.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
The history of the ancient neighborhood of Colonus in Athens, by a novelist and script writer who lives in modern-day Kolonos.
December 31, 2015. The Valencian bookstore Valdeska closed its doors permanently after forty years of activity. The result of four years of monitoring and filming, these 31 minuts of run time are part of a book unread, unknown and undiscovered. "Me voy. Me voy" it's not the story of a bookstore, not the portrait of an exceptional bookseller, it's a will to attach the things in the filmed image, to make something lasting showing the moment of its disappearence.
“Let’s describe it as a desire to be outward followed by a fear of being seen,” The 1975’s Matty Healy tells Apple Music. “I think that is the conversation that happens in this record.” This short film finds Healy reflecting on his motivations and complexities as he and his bandmates reveal the ideas that fuelled their fourth album, Notes on a Conditional Form. It’s a unique and unguarded look at one of Britain’s most venturous bands.
Journalistic chronicle made by Ocelote from the Colima zoo “Ecoparc” that reconstructs the mysterious case of a pair of animals on display, a red deer and a mouflon sheep, killed with a firearm by a mysterious criminal.
Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
This film without words is composed of Pamela Bone's unique photograhic transparencies. Her talent has been said to 'push photography beyond its own limits, liberating it to the status of an entirely creative art form.' Inspired by nature, and being more responsive to feeling than to thought, Miss Bone has sought to express the mystery and beauty of the inner vision through photographic means alone: landscape has the quality of a dream; children on the sea-shore have a sense of their own enchantment, trees are forboding and strange when night moves in their arms. It took Miss Bone twenty years to find the right technique and so overcome the limitations that photography would impose.
Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).