Using behind-the-scenes footage, home movies and rare TV commercials and network promos, this video profiles Batman through the years from its beginnings as a comic book to the successful 1960s TV series.
Using behind-the-scenes footage, home movies and rare TV commercials and network promos, this video profiles Batman through the years from its beginnings as a comic book to the successful 1960s TV series.
1989-11-30
6.8
This is the fully documented story of Batman—his genesis, his development, and his overall entertainment career. Told with dramatic insight, this action-filled documentary will satisfy every fan who has ever delighted in Batmania.
From 1973, it's a Turkish Batman and Robin ignoring a Commissioner Gordon type before fighting a Blofeld-esque villain (bald, strokes cat) while spending their downtime in strip clubs! Yep, there's more nudity in this film than every other Batman movie combined, which admittedly isn't much but we'll take what we can get. For some reason the dynamic duo sometimes have capes and sometimes don't. In one scene Batman even picks up a gun and shoots a couple of bad guys before tucking the gun into his belt. You won't see that in the comics. This time no clips from other films (that I noticed anyway) but lots of music is lifted from elsewhere, including the James Bond theme.
The quirky Dutch-Jamaican Hadiah Tromp (21) is the daughter of Navy officer Tromp, who believes his daughter is a perfect fit for the Navy. But Hadiah doesn't like her Navy training. She prefers to stay at home and listen to her collection of old Ska records. When her boyfriend cheats on her, she decides to finish her Navy training. But Hadiah has difficulties feeling at home in the disciplined and closed environment of the naval frigate and she has constant collusions with the handsome but stern Sergeant Major Paul Borremans. Can the impulsive Hadiah stand tall in the Navy world full of rules? Or is she forced to leave the ship early?
A double agent trying to deliver information to Washington, D.C. is chased by Nazi operatives.
In 2020, after the colonization of the moon, the spaceships Vega, Sirius and Capella are launched from Lunar Station 7. They are to explore Venus under the command of Professor Hartman, but an asteroid collides and explodes Capella. The leader ship Vega stays orbiting and sends the astronauts Kern and Sherman with the robot John to the surface of Venus, but they have problems with communication with Dr. Marsha Evans in Vega. The Sirius lands in Venus and Commander Brendan Lockhart, Andre Ferneau and Hans Walter explore the planet and are attacked by prehistoric animals. They use a vehicle to seek Kern and Sherman while collecting samples from the planet. Meanwhile John helps the two cosmonauts to survive in the hostile land.
Aggression, Schroeter’s first 16mm film, is the fictive portrait of a woman who is oppressed by her (unseen) boyfriend.
The life of man is poor and nasty. A few plants give temporary relief: marijuana, alcohol, and opium. After a history of opium, including the 19th-century Opium Wars, we learn of the discovery of heroin; the rest of the film examines heroin trade and addiction in the U.S. Two tons a year enter the U.S., with only 100 pounds interdicted. Most is used in New York City. Interviews with customs officials, prosecutors, medical doctors and junkies provide points of view. The harsh 1956 law and the medically-oriented law of 1966 are contrasted, with the film on the side of treatment and rehabilitation. It ends with advocating reducing use here and finding other cash crops for farmers abroad.
Harun Farocki sits down with Vilém Flusser to discuss the front page of the German tabloid newspaper Bild Zeitung.
Bishop is on the clock with a terminal illness, but before he departs he plans to make his brother a responsible man.
In the late fall of 2012, Theo Padnos, a struggling American journalist, slipped into Syria to report on the country's civil war and was promptly kidnapped by Al Qaeda's branch in Syria.
Queenie (Crystal Tin Yui-nei) and King (Cheung Tat-ming) are a HK typical couple, with his long hours at work sometimes interfering with their happiness. Out riding his bike one evening, King is accidentally run off the road by a van and his injuries leave him impotent. Not surprisingly, he tells his wife that she is free to divorce him or see other men but Queenie vows not to let the situation hinder their marriage.
Raja, an atheist, is constantly at a war of wits with his brother who is a firm devotee of a god man. When tragedy strikes, disturbing facts are revealed, leaving everyone shocked.
13-year-old boy Ivan loses all loved ones to World War II. His father was killed, and his mother died during the bombing. Ivan has to survive, relying only on his own strength. He is evacuated to the Urals, settles in a factory and even finds the opportunity to help strangers.
If we compacted the human emotional range into a few minutes, what might it look like? From the Artistic Director of Australian Dance Theatre, Garry Stewart, this is a dazzlingly baroque explosion of imagery set to a wildly unexpected electronic score. It explores the choreographic possibilities of the gestures and facial expressions that constitute human emotion. The physicality of these emotions are universal and can be read from one cultural group to another. The way in which emotions are expressed by the body is a type of dance if we think of ‘dance' as being underpinned by kinetics and rhythmic patterns of the body.
John Adams’s groundbreaking work vividly brings to life US President Nixon’s 1972 visit to the People’s Republic of China. Peter Sellars’s Metropolitan Opera production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.
In New York, a surly, down-on-his-heels playwright meets a country girl who's giving up trying to act and returning home. He goes with her for inspiration when his agent convinces a stage star to take his next effort. When he returns to Broadway, his girl stays behind and starts seeing a local businessman.