Nai Khanomtom was born in Kum village, near the Burmese border. While he was still a young boy, his village was attacked by the Burmese soldiers, and he fled with his older sister, Aei. Tired of running Aei was caught, raped and killed by the invaders. Khanomtom alone escaped, and came back to the village just in time to cry and hold the bodies of his butchered parents, Kerd and Eee, before they were cremated along with dozens of his country folks. Following the last order he received from his father Kerd, Khanontom goes to the Pekka Temple, in the mountains, to live with the monk Kong.
Nai Khanomtom
Nai Khanomtom was born in Kum village, near the Burmese border. While he was still a young boy, his village was attacked by the Burmese soldiers, and he fled with his older sister, Aei. Tired of running Aei was caught, raped and killed by the invaders. Khanomtom alone escaped, and came back to the village just in time to cry and hold the bodies of his butchered parents, Kerd and Eee, before they were cremated along with dozens of his country folks. Following the last order he received from his father Kerd, Khanontom goes to the Pekka Temple, in the mountains, to live with the monk Kong.
2003-11-20
5
Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.
Dane ‘Marbles’ Marbeck can see ghosts, thanks to a homemade drug: his late father’s neurological medication mixed with marijuana. Officer Jayson Tagg, a wannabe super-cop on the trail of a serial killer, ends up murdered. So when Marbles’ mum plans to sell the family farm, and the only way of buying the house off her is taking the money offered by Tagg in exchange for his help, Marbles accepts. The unlikely duo of stoner medium and ghost cop struggle to reconcile their differences while they navigate their way through ghouls, perverts, a mysterious hooded figure, and an unexpected shot at love. It becomes clear the only way Marbles and Tagg will solve the case with their souls intact is to confront their deepest regrets and overcome their prejudices.
A towering and fearless love story chronicling the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein. A love letter to life and art, Maestro at its core is an emotionally epic portrayal of family and love.
The film tells the story of Michelle, who is enjoying a peaceful retirement in a charming Burgundy village near her longtime friend Marie-Claude. She eagerly anticipates her grandson Lucas spending the school vacation with her, but things don’t go as planned. Feeling lonely, Michelle loses her sense of purpose, until Marie-Claude’s son gets out of prison.
Forky attempts to understand the concept of love from Bonnie’s elder toys who believe they’ve been there, done that.
The energetic Peas-n-a-Pod siblings teach Forky about reading and how it is done, with a little help from Mr. Spell
At the age of nine, Rebeca is sold by her grandmother to the bookseller who ran Rocinha. Disputed by bicheiros and drug dealers, the community is going through changes in power. Rebeca becomes the wife of the chief drug dealer and, with the death of her partner, his successor. The electrifying trajectory of crime, violence, drugs and love of a female drug kingpin in Rocinha, Rio de Janeiro in the 1980s.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.
Toni has spent her entire life putting other people’s needs before her own. When she was 20 years old, she was pushed by her mother to join a TV singing competition, becoming a national star. Twenty years and five children later, she is a full-time mom who spends all her time and effort on raising her teenage kids. As she helps her children plan their future after graduation, she begins to imagine what her life could be if - for once - she did what she really wanted. Will she be able to turn her life around and dare to be something other than a mother and a daughter?
Jean Monier is a disillusioned lawyer, appointed to defend Nicolas Milik, a man accused of murdering his wife. While everything points to his guilt, Monier takes up the case, convinced of his innocence.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…