How did a poor little black girl from Missouri become the Queen of Paris, before joining the French Resistance and finally creating her dream family “The Rainbow Tribe”, adopting twelve children from four corners of the world? This is the fabulous story of the first black superstar, Josephine Baker.
Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
Never-before-seen testimony is included in this documentary on Emmett Louis Till, who, in 1955, was brutally murdered after he whistled at a white woman.
Varosha, the only city on the world without people, the loneliest city... Varosha is a province in Cyprus that is closed with fences and unpopulated since 1974.
While gun violence was on the decline in most major US cities, why did it continue to increase in Chicago's segregated communities? What is known about the systems that created the problem, the laws that isolated it, and the policies that abandoned it? Using dramatic footage, including interviews with residents on the front lines over the last 15 years, this documentary opens a rare historical window into the systematic creation of poverty stricken communities plagued by gun violence.
A team of Romany football players try to overcome prejudice in this Czech documentary.
In 2007 Mobile, Alabama, Mardi Gras is celebrated... and complicated. Following a cast of characters, parades, and parties across an enduring color line, we see that beneath the surface of pageantry lies something else altogether.
Trevor Phillips confronts some uncomfortable truths about racial stereotypes, as he asks if attempts to improve equality have led to serious negative consequences.
Anti is an 18-year-old gypsy boy with a passion for playing the guitar. He lives in a gypsy slum in a remote corner of Hungary. By an unexpected opportunity he has a chance to break out now from his hopeless situation. He gets selected to the Snétberger Music Talent Center among sixty other young talents. He is mesmerized by the chance of a better life and hopes for a miracle. Although it turns out soon that he has a huge disadvantage compared to the others, even to the gypsy students. He can't read the music sheets and he is not used to regular practice. The sensitive and lovable boy's story is full of unexpected twists and turns. The viewer is carried with his honesty and special humor. Through Anti's story the feature-length documentary gives a glimpse into the work of the Snétberger Music Talent Center with great music and memorable moments from the life of the Talent Camp.
Can a tree be racist? A few years ago, debate on this issue reached as far as Fox News. The focus was a row of tamarisk trees along a huge golf course in Palm Springs, which screened off the neighborhood of Crossley Tract. This is a historically Black neighborhood, named after its founder Lawrence Crossley, who was one of the first Black residents to settle in the largely white tourist paradise, established on indigenous land over a century ago.
The film RYTMUS Housing Estate Dream took 8 years to create and closely documents the life of one of the most famous personalities of the Czech-Slovak music scene. Patrik "Rytmus" Vrbovský grew up in an ordinary family in a housing estate in Piešťany and, due to his Roma origin, he often encountered prejudice from his surroundings. Today, he releases albums in tens of thousands of copies, was a Superstar judge, and his videos have been viewed on the Internet by more than 200 million users. The film will also offer exclusive footage from family archives of videos and photographs, supported by personal testimonies from people from Rytmus' closest circle.
The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?
In White Like Me, anti-racist educator Tim Wise explores race and racism in the US through the lens of whiteness and white privilege.
Celebrated author and Nation magazine sports editor Dave Zirin tackles the myth that the NFL was somehow free of politics before Colin Kaepernick and other Black NFL players took a knee.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.