Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.
To open a photographs box is to travel through past and present, thinking about the future.
1948 ARC Identifier 46998 / Local Identifier 306.131. FEATURES THE PERSONALITY, PHILOSOPHY, TECHNIQUES AND ARTISTRY OF EDWARD WESTON, AS SHOWN THROUGH SCENES OF THE ARTIST AT HOME, ON LOCATION AND AT WORK WITH HIS STUDENTS. U.S. Information Agency. (1982 - 10/01/1999) Made possible by a donation from Simon Phipps
In this Pete Smith Specialty short, Dr. Harold E. Edgerton demonstrates stroboscopic photography, which he helped develop. This process allows us to see in slow motion what happens during events that occur too fast to be seen by the naked eye. Examples shown here include a bullet in flight as it shatters a light bulb, the moment of impact when a kicker kicks a football, and the motion of a hummingbird's wings as it hovers.
Step inside the minds of 16 international masters of photography. They share stories behind their most iconic images and techniques whilst learning their impressions of our world as seen through their lenses.
Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.
Documentary charting the fascinating life and work of Lee Miller, a model for Vogue in 1920s New York who became the only female photojournalist to cover the Second World War. Having given up photography in later life and virtually disowned her own work, Miller's extraordinary archive of 40,000 negatives was only rediscovered after her death. George Melly, David Hare, friends, colleagues and her only son, Tony Penrose, trace the story of her unconventional life through her own remarkable pictures and photographs, as well as rarely seen archive footage.
Short subject on how fashion is created-- not by the great couturiers, but on the street.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times
A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.
A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.
A look at the turbulent social upheaval of the early 1970s which follows an idealistic writer and his soon-to-be-married photographer friend as they set out to find their purpose via a terrifying road trip across the Sahara Desert.
As the first documentary filmmaker, Reiner Holzemer has produced a film about the most famous German photographer, which shows both, the work and his biography. It introduces Sanders heritage from a poor minors family in the „Westerwald“, a region located in the midwest of Germany, as well as his early career as a studio photographer in Trier and Linz, and his most productive period between the Twenties and Thirties in Cologne, where he developed his big project „People of the 20th century“.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.
What we know today about many famous musicians, politicians, and actresses is due to the famous work of photographer Harry Benson. He captured vibrant and intimate photos of the most famous band in history;The Beatles. His extensive portfolio grew to include iconic photos of Muhammad Ali, Michael Jackson, and Dr. Martin Luther King. His wide-ranging work has appeared in publications including Life, Vanity Fair and The New Yorker. Benson, now 86, is still taking photos and has no intentions of stopping.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
Have you ever wanted to take a year traveling the globe? 10-year-old Unai and his family do just that on an extraordinary mission to photograph an endangered animal on each continent in its natural environment. A documentary made by nature photographer Andoni Canela with his family is narrated by his young son who shares his experiences and observations as they camp in jungles, deserts, and glaciers in search of wolves, elephants, lions, bison, penguins, hornbills and crocodiles. Seen through the boy's eyes, their journey across all continents conveys an innocent and unconditional love of nature and reveals an urgency to protect the delicate diversity of our planet's wildlife. Breathtaking cinematography and an insider's view on the daily life of a professional photographer on assignment enhance the documentary's story of a family learning, playing, and living on a trip of a lifetime together.