When naval Lieutenant Phil Bowen encounters his friend, Air Forces Captain Grover, he inquires as to what Grover's aerial reconnaissance team is doing to protect ships from attack by submarine. Grover introduces him to Captain Smith, an expert at photographic intelligence. The two men explain to Bowen just how aerial photographic reconnaissance works and how their work in the air and on the ground is helping win the war even at sea.
A film for meditation. Images and sounds and the way they are related to each other mark clear, real, sensory experiences and their traces. Sometimes they appear as minimalist riddles. Meaning can only be derived by approaching them in an open and circumspect manner. This very personal work by Michael Pilz, compiled from footage he shot between 1994 and now, gives the viewer a beautiful picture of the way in which he creates his filmic world. The different recordings were originally not connected to each other. Through the re-editing of both the images and the sound, Pilz creates a new filmic reality in which the concept of time comes to a halt or disappears entirely. Art is not about what, but how, according to Michael Pilz.
The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.
A Swedish pastor fails a loving woman, a suicidal fisherman and God.
Mildly successful comedian, Hannibal Buress, performs his second stand-up special in Chicago based on his wild night with the police.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Naoki works as a not so popular host at the host club Akegarasu in Shinagawa, Tokyo. His repayment day is coming soon and he has prepared 10 million yen to pay off his debt. Naoki has a party with his co-workers to celebrate this event, but, when he wakes up the next night, he finds that his money is all gone. Naoki asks his co-workers at the club about his money, but all of them say they didn't see it. Did Naoki dream he had 10 million yen? If He doesn't get the money soon, he will be thrown into the bottom of Tokyo Bay. Naoki can't trust anyone.
Andy is going to Wainwright College as did his father. He sees a pretty blonde on the train and he is alternately winked at or slapped every time he sees her. Andy is clueless. On the train Andy meets Kay and Dr. Standish who are both headed for Wainwright. Andy likes Kay, but Dr. Standish also seems to take an interest in her. Things are going well at College with Kay, but the blonde is nice one minute and ignores Andy the next. When Andy finds out that the blonde is really identical twins, he tries to help them out with their father but gets caught at their rooming house after midnight.
Ezzat and Hassan are friends and co-workers. Hassan admires Soad but he can't tell her about his feelings because of his shyness. He asks his friend Ezzat to tell her instead, but things don't go as expected. Ezzat also receives letters from an unknown person threatening to kill him.
An old leper who owned a remote sorghum winery dies. Jiu'er, the wife bought by the leper, and her lover, identified only as "my Grandpa" by the narrator, take over the winery and set up an idealized quasi-matriarchal community headed by Jiu'er. When the Japanese invaders subject the area to their rule and cut down the sorghum to make way for a road, the community rises up and resists as the sorghum grows anew.
Ten years before the outbreak of the Second World War in Asia, a Japanese Go master and his Chinese rival meet in China to play a game of Go (loosely described as an Asian version of chess). It soon becomes evident that the Chinese master's son is the most talented player that the Japanese master has ever encountered, and he convinces the boy's father to let him bring the child back to Japan to train him as a professional Go player. Years pass, and as the young Chinese master grows to maturity in Japan, the Japanese invasion of China forces him to choose between his triumphant career and his loyalty to his native country. His decision is complicated by his marriage to the daughter of the Japanese master, with whom he has produced a child. His choice will profoundly alter the lives of two families. Their saga serves as a reflection of the tragic relations between their two great countries, and the possibility of reconciliation and healing.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.
In a post-apocalyptic world, the isle provides a safe haven from a pandemic that has decimated earth. Anna wake up pregnant and unable to remember who her husband is. Nor does Anna recognize Helen and Peter who are supposedly helping her get her health back. Disbelief in what she is being told leads to a horrible revelation and Anna having to contend with existential issues brought on by man’s destruction of the planet.
A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.
Min Mors Hemmelighet (Suddenly Sami) is a personal film about identity. During the director’s childhood and youth in Oslo her mother never told her about her indigenous Sami background in the Arctic area of Norway. Why didn’t she? And how can the director suddenly become Sami in the middle of life? And does she really want to?