Freed From Memories(2016)

La Bataille d'Alger, l'empreinte(fr)

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

NARC. Mini-Doc – Outside The Mainstream: The North East’s Alternative Scene(en)

The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.

ABBA: Against the Odds(en)

This year marks the 50th anniversary of ABBA’s iconic Eurovision victory, a milestone that calls for a celebratory cinematic tribute fitting for the ultimate pop band. ‘ABBA: Against the Odds’ unveils the epic journey of ABBA’s rise to global fame. Starting with the moment they won Eurovision, it tells the story of how they overcame critical backlash, societal attitudes and marital break-up to deliver their ground-breaking music and prove themselves as a live act.

Meet the Pickles: The Making of "Win or Lose"(en)

Discover how Pixar brought its first long-form original series to life. This behind-the-scenes documentary introduces the scrappy filmmaking team that drew from personal experiences to create this ambitious and stylistically unique series that follows a middle-school softball team, the Pickles, in the week leading up to the big championship game.

a-ha: The Movie(no)

When "Take On Me" reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.

Dog Days: The Making of 'Cujo'(en)

Documentary about the making of the 1983 thriller "Cujo"

Mia and Roman(en)

Mia and Roman is a 1968 23-minute documentary film which was shot during the making of Rosemary's Baby.

Back to the Farm: The Making of 'Splatter Farm'(en)

Look back on the making of the shot-on-video cult classic 'Splatter Farm'

Love to Love You, Donna Summer(en)

The extraordinary story of disco queen Donna Summer through a rich archive of unpublished film excerpts, home video, photographs, artwork, writings, personal audio and other recordings that span the life of one of the most iconic performers ever to shake a room to its timbers. From her early career with Giorgio Moroder in Germany, to later years more focused on spirituality and family life as a shelter from troubles associated with both notoriety and intimate wounds, her story is all the more special for being told in the first person – both singular and plural.

Heaven Adores You(en)

Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.

RM 'Indigo' Album Magazine Film(ko)

The magazine film of the album 'Indigo'.

Woodstock(en)

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Hallelujah: Leonard Cohen, a Journey, a Song(en)

This feature-length documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, Hallelujah.

The Making of 'Riverplay'(de)

Behind the scenes of Olaf Ittenbach's 2001 thriller

Ainbusk Singers - Bondbrudar i Närbild(sv)

Interviews with the band Ainbusk Singers interspersed with clips from their show "Greatest Tits"

Kids Are Growing Up: A Story About a Kid Named Laroi(en)

An up-close and personal behind the scenes look at the life of Australian music phenom, The Kid Laroi, and his journey to global stardom.

Billie Eilish: The World's a Little Blurry(en)

This documentary offers a deeply intimate look at extraordinary teenager Billie Eilish. Award-winning filmmaker R.J. Cutler follows her journey on the road, onstage, and at home with her family as the writing and recording of her debut album changes her life.

The China Odyssey: Empire of the Sun(en)

Documentary about the making of director Steven Spielberg's film Empire of the Sun

A Propos D'Un Crime(fr)

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

Hugues Aufray, l'éternel jeune homme(fr)