"Art is more precious than a hot dog" - Francis Picabia's (1879-1953) pamphlet is the title of this color animation of Cartsen Regild's art and the studio recording in black and white.
"Art is more precious than a hot dog" - Francis Picabia's (1879-1953) pamphlet is the title of this color animation of Cartsen Regild's art and the studio recording in black and white.
1980-10-10
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The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.
Serapio tells us about the heritage of his father, Candelario Medrano, and his own work while teaching new generations to find their own artistic style.
All The Eyes is the story of the lives of children whose geographical determinism has created obstacles for them to achieve their dreams. Children who live in one of the most deprived areas of Iran: Kotij, a city of 6,000 people in Balochistan.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
An art thief trapped in a New York penthouse after his heist doesn't go as planned. Locked inside with nothing but priceless works of art, he must use all his cunning and invention to survive.
The early life of Walt Disney is explored in this family film with an art house twist. Though his reality was often dark, it was skewed by his ever growing imagination and eternal optimism.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.
Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”
Much like Fred Rogers and Bob Ross in the United States, Claude Lafortune was a staple of French-Canadian television. The beloved children's television host inspired generations of children through his celebration of creativity, inclusivity and diversity. For over five decades, he dedicated his life to transforming mere paper into whimsical sculptures, creatures and film sets. "The Paper Man" reveals the depths of Claude Lafortune's work, as well as his continuing legacy.
The story of the bond between an aged blind artist, about to create his last masterpiece and a rebellious young artist girl who comes to assist him.
The genesis of To Open Eyes: A Film on Josef Albers developed from Arnold Bittleman's appreciation for Albers while Bittleman was a student at Yale University in the 1960s. Wanting to preserve Albers’s teaching method—learning by doing—Bittleman set out with filmmaker and editor Carl Howard to make a visual record of Albers teaching students how to see and use color as a visual grammar. The film includes archival footage of Josef Albers at home in conversation with Bittleman, as well as footage from Black Mountain College and Yale University.
Xing, a young artist struggles to balance his passion for art with the expectations imposed on him by his single mother. Personal aspirations and family are put into question when despite her disapproval, Xing participates in an art contest in an attempt to change his mother's mind.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.
A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.