Agujetas Cantaor(1999)

Polígono Sur(es)

Documentary about the marginal neighborhood 'Las tres mil viviendas', in Seville.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

The Way to the Heart(en)

Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.

Where The Street Ends(de)

Being a taxi driver in Berlin requires Theo to be a lot of things: Service provider, listener, city guide, and entertainer. In five exemplary episodes this film tells a bizarrely tragic and hilarious story of his customers during his night shifts, and how Theo recovers a long missing piece of magic in his life.

Dog Barbos and Unusual Cross(ru)

This is the very first silent slapstick comedy short about adventures of Worldly, Coward, and Fool. What's more fun: fishing with worms, or dynamite? Three friends decided to have a blast! Unfortunately their dog Barbos just loves playing fetch. And this time that stick was used for blast fishing. Barbos saw people throwing a smoking stick in a water, and fetched it right back to his owners. The "unusual cross" part begins when owners try to outrun the dog with dynamite.

Boy(en)

Boy is the unsettling story of a young male prostitute, or Rent Boy, in a small rural town who learns the truth behind a hit and run accident which has killed a local girl. When the news of the girls death spreads through the community, the driver and his family decide that the boy must be silenced. The set out to scare him into silence. The pressure becomes more and more violent, but despite this, the boy battles to expose the truth.

Suck It Up(en)

Ronnie lost her brother. Faye lost her first love. These two best friends set off on a debaucherous road trip to the mountains to get over the death of the man they both loved.

We(en)

"We" is a visual essay on the state of being connected – a metaphorical study of interpersonal relationships and social constraints. Personal experiences and current social contexts are portrayed through a series of abstract analogies reflecting the essence of our everyday social interactions.

Cease Fire 2(fa)

A young couple try to fix their marriage troubles with the help of a psychiatrist.

Natale sul Nilo(it)

A womanizing lawyer follows his wife and son to a trip to Egypt in a last-ditch effort to make up for his infidelities. Also travelling to Egypt is a bumbling police chief who's desperate to keep his rebellious daughter from becoming a showgirl. The two meet during a Nile cruise. Calamity ensues.

A Kamikaze Cop(ja)

An undercover cop befriends a yakuza underling who through his contacts helps him infiltrate two rival Yakuza gangs. He pits the two rival gangs against each other in hopes that they will cross each other out.

Fantozzi to the Rescue(it)

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

Whistling Princess(ko)

Ji-eun, a member of North Korea's dance troupe and the daughter of the North Korean leader, escapes to the South after one of their perfomances. Eager to explore the liberal life in Seoul, Ji-eun searches for a new life of freedom in South Korea. She soon comes across Joon-ho, a leader of a local rock band. Their relationship then takes unexpected turns as they become closer to each other. Meanwhile, the intelligence agency in South Korea learns of a conspiracy being orchestrated by the American CIA to disrupt the peace on the Korean peninsula; the CIA plots to secretly kidnap Ji-eun. Secret forces from the North and South reluctantly agree to work together to prevent a possible war between their two countries.

The Future Is Ours(mk)

After a rough night out protesting in the city, Kosta and Maja fall in the hands of the police. Their lives will change forever.

Fantozzi Still Suffers(it)

After a hard day at work and a condominium-board meeting, accountant Ugo Fantozzi goes on a trip with his family. Unfortunately, he will face a nasty surprise upon his return.

I'm All Good(cs)

This Hrebejk’s comedy is set in Prague, four years after the democratic “Velvet revolution” of 1989. This was an era of sudden freedom, transition and confusion. Most people got carried away, quickly abandoning the old values and uncritically accepting the new. Some people just took a break…

Heltzear(eu)

San Sebastian, the year 2000, the Basque conflict continues. While writing a letter to her absent brother, Sara, a 15-year-old climber, is training for the most difficult climb of her life.

Windigo(fr)

Native Americans clash with the Canadian government as they struggle for independence in this factual Canadian drama set in Quebec during the summer of 1990. Eddie Laroche, a rebellious native leader spawned a national crises when he and his supporters declared the independence of Aki territory in a far-flung area of northern Quebec. He refused to negotiate without the presences of television cameras to record his people's plight. Jean Fontaine was the reporter assigned to the story and much of the film is told from his viewpoint. To reach Laroche's land, negotiators, government officials, and the film crew had to travel by boat. Fontaine is initially cynical and reluctant to do the story, but after he spends time on the boat interviewing it's passengers, his cynicism has dissolves and he realizes he is faced with the presentations of a terribly complex situation. His dilemma provides a main focus for the film.

Herman Finkers: EHBO Is Mijn Lust En Mijn Leven(nl)

EHBO, is mij lust en mijn leven' Een stoplicht springt op rood, een ander weer op groen: in Almelo is altijd wat te doen'. een van de meest bekende uitspraken van Herman Finkers. Herman Finkers houdt zich sinds 1979 bezig met het bedenken en uitvoeren van theaterprogramma's. Zijn programma's laten zich moeilijk omschrijven. Het best werd hij waarschijnlijk omschreven in het Utrechts Nieuwsblad: 'meester van de dubbele clou"geestige overdaad die niet schaadt', 'subliem slap gelul' EHBO is mijn lust en mijn leven is het vierde programma van Herman Finkers, opgenomen in de Leidse Schouwburg.

Children of Flameco(cs)

This film tells a story about two young talented artists coming from different ethnic and family backgrounds whose paths cross because of their unusual talent and passion for flamenco music. Amós is twelve and grows up in Salamanca. A rising star recognized by Paco de Lucía, Amós has been playing guitar and composing since he was three. Abraham is a twelve year old flamenco singer from the Gypsy community in Madrid's periphery. He grows up in an extended family where flamenco singing is a part of everyday life and passed on from generation to generation. This is a moving story about child fame, the road taken to get there and the vibrant subculture of flamenco.

Flamenco(es)

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

La Singla(es)

In the 1960s, a young Spanish flamenco dancer named Antonia Singla captivated audiences with her strikingly passionate performances. Having lost her hearing at a young age, La Singla rose to fame with her commanding presence through a combination of her powerful gaze and thunderous movement. However, just at the height of her fame, she seemingly disappeared and decades later has been all but forgotten. When a young woman in Seville comes across La Singla’s story, a bigger picture starts to be unveiled. Through research, interviews and captivating archival footage, she starts to piece together the legend of La Singla. Through the beauty of her performances and the heartbreak of her story, La Singla celebrates and preserves the legacy of one of the greatest Flamenco dancers of all time.

Riqueni(es)

De caballos y guitarras(es)

A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.

The Flamenco Guitar of Yerai Cortés(es)

A thoughtful exploration of gypsy culture, an intimate portrait of flamenco guitar player Yerai Cortés and a healing family exorcism through music. Antón Álvarez (aka C. Tangana) makes his filmmaking debut with this documentary.

Coplas mecánicas(es)

Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.

Enrique Morente: flamenco impuro(es)

Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.

Wild Flamenco: Bambino's Story(es)

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

Flamenco Flamenco(es)

A look at the history and traditions of flamenco music and dance.

Nine Sevilles(es)

"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

Moving Together(en)

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

Flamenco at 5:15(en)

In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.

The Shadow of the Strings(es)

Throughout the streets of Huelva, a man with his guitar has been disambiguating for years, day and night he goes out into the streets to make a living asking for money in bars and terraces. His guitar almost never has the six strings, his hands are dirty, his mind long ago could not stand the life that he had to live, and he continues as he can stuck to that guitar with which he expresses himself continuously, indefatigable. That vagabond, an omnipresent street artist, is the "Niño Miguel", considered by many to be the best guitarist in the history of flamenco, a genius who revolutionized the guitar with only two records in the 70s, a source of inspiration for all other guitarists... a guitarist of guitarists, a living legend, a mystery, a misunderstood genius, excluded from society: The shadow of the strings.

Paco de Lucía: La Búsqueda(es)

The documentary is a summary of Paco de Lucía's career, his art, his human category and his life, from his first artistic steps to his last professional steps, which have been marked by flamenco. Numerous testimonies and interviews carried out between 2010 and 2014 are exposed.

Carmencita(xx)

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Mi arma(es)

A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.

Colita: El viaje sin fin(es)

Dame veneno(es)

Mi patria es la libertad. El Cabrero(es)