Almost Almost Famous(2018)

ABBA: Against the Odds(en)

This year marks the 50th anniversary of ABBA’s iconic Eurovision victory, a milestone that calls for a celebratory cinematic tribute fitting for the ultimate pop band. ‘ABBA: Against the Odds’ unveils the epic journey of ABBA’s rise to global fame. Starting with the moment they won Eurovision, it tells the story of how they overcame critical backlash, societal attitudes and marital break-up to deliver their ground-breaking music and prove themselves as a live act.

Trekkies 2(en)

Denise Crosby takes another look at the huge fans of "Star Trek" and how the series from around the world has affected and shaped their lives.

KISS Loves You(en)

Ten years in the making, KISS Loves You is a film that began back in 1994 when the band KISS was at a career low and KISS fans around the world were starting tribute bands, uniting at unofficial KISS Conventions and growing increasingly more nostalgic for the 70's era classic KISS line-up. The zeitgeist exhibited at these conventions was not lost on the band and in 1996 they responded, rising up like a grease painted phoenix into a new era of success. On the surface, KISS fans got exactly what they longed for, but for some the return of their idols brought unexpected consequences. KISS Loves You follows a few KISS fans along the way.

We Are Wizards(en)

As the popularity of author J.K. Rowling's Harry Potter series expands to create a whole new breed of rabid fantasy fanatics, filmmaker Josh Koury explores the curious culture that has emerged around the most instantly recognizable young wizard in the history of youth fiction

Tribute(en)

Tribute is a feature rockumentary about music's strangest subculture: tribute bands. Tribute bands go to extraordinary lengths to re-create the experience of rock supergroups like Kiss, Journey, Judas Priest and Queen. Tribute follows the on- and off-stage struggles of tribute bands and their fans in their quest to live their rock dreams. Together they face band members quitting, soul-sucking day jobs, even bandmates who take the impersonation far too far.

Into the Limelight: Tribute Bands(en)

An affectionate look at what goes on behind the scenes of the Limelight Club in Crewe, where for ten years tribute acts to the likes of Jimi Hendrix, Kurt Cobain and Phil Lynott have been providing a post-industrial town the chance to hear some legendary live music. In the Limelight, a converted Methodist church, the spirit of rock is alive, along with Jimi Hendrix, Kurt Cobain and Phil Lynott - in reality John, Keith and Wayne. The posters on the club walls display more than a decade of tribute-band entertainment by the likes of Pink Fraud and Stairway to Zeppelin. Arena reveals the characters offering locals the opportunity to hear their favourite music performed live.

Song Sung Blue(en)

An inspiring account of Milwaukee's Neil Diamond tribute band/husband and wife singing duo, Lightning & Thunder, and their tragic love story.

Rumours of Fleetwood Mac(es)

Björn Again: Live At The Royal Albert Hall(en)

Recorded during Björn Again's gala performance at The Royal Albert Hall, Abba's greatest hits are performed in outrageous costumes ranging from sequined satin jumpsuits, flares, platform shoes, right down to powder blue eye-shadow and knee-high white boots, all of which are enthusiastically echoed by the audience. With classic 70s choreography and on-stage humour adding further to the electrifying atmosphere, Björn Again perform classic tracks with the skills and energy that made Abba one of the World's best loved bands.

Song Sung Blue(en)

Based on a true story, two down-on-their-luck musicians form a joyous Neil Diamond tribute band, proving it's never too late to find love and follow your dreams.

Bjorn of the Dead(en)

Set in the world of tribute bands, an ABBA tribute band find its members trapped in a nightclub at the start of the apocalypse.

Velvet Underground's First Public Appearance(en)

Velvet Underground's first public appearance.

In Between(en)

Footage from 1964-1968 that did not find its way into the Walden reels is joined in this classic period piece. Mostly centered in New York, it also includes travel footage and appearances by David Wise, Salvador Dali, Allen Ginsberg, Jack Smith, Shirley Clarke, Jane Holzer and more. Mel Lyman plays his banjo on the roof.

Notes for Jerome(en)

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Paradise Not Yet Lost(en)

The film is arranged in six chronologically-ordered parts, each filmed in a different location during Oona's third year.

Off We Go!(de)

Documentary short on the Octoberfest in Munich.

Scenes from Allen's Last Three Days on Earth as a Spirit(en)

This is a video record of the Buddhist Wake ceremony at Allen Ginsberg's apartment. You see Allen, now asleep forever, in his bed; some of his close friends; and the wrapping up and removal of Allen's body from the apartment. You hear Jonas' description of his last conversation with Allen, three days earlier. You see the final farewell at the Buddhist temple, 118 West 22nd Street, New York City, and some of his close friends: Patti Smith, Gregory Corso, LeRoy Jones-Baraka, Hiro Yamagata, Anne Waldman, and many others.

To Barbara Rubin with Love(en)

This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.

Report from Millbrook(en)

Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.

Williamsburg, Brooklyn(en)

Filmed in 1950 soon after Jonas Mekas arrived in New York, this short documents everyday life in Williamsburg, Brooklyn. It was the first film he shot with his 16 mm Bolex camera, but he did not edit and present the footage until 2003, making it both his earliest and one of his final works on film.