Three young people circulate in different mobility categories. The newly emancipated city goes through its everyday experiences.
Mabel
Miss Muiteza
Biel
The story of a boy who suddenly lost his sight as a result of cancer. He has a hard time getting along with new people and spends all his time with horses. One day, the chairman of the local society of the blind calls him and offers him the main role in a play based on Maeterlinck’s play “The Blind,” where all the roles are played by blind people, and the play takes place in the forest.
In the capital of Ingushetia, at the memorial, there is a carriage. This is a carriage from the 40s, a carriage of memory. One of those in which the Ingush were transported back in 1944 to Kazakhstan and Central Asia. February 23 is the day when the whole country celebrates Defender of the Fatherland Day; mourning takes place in Ingushetia. And on this day, the old people gathered in this carriage to remember and tell each other how it was.
As a young girl Victoria Arlen truly had the world ahead of her. But at the age of 11, she began to suffer from an illness that baffled her doctors and kept Victoria locked in her own body.
When 18 children – nine from Palestine and nine from Israel – come together to form a kids soccer team, they come face-to-face with the other side for the first time in their lives. United by the common goals of teamwork and dedication to a shared purpose, they confront generations of fear head on. Is peace through sports really possible, or is it hopelessly naive to think that a handful of 12-year-old soccer players can begin to change their world?
Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.
"LIMITLESS", is an original documentary about 7'5 French basketball star Victor Wembanyama and his journey to becoming the projected #1 overall pick in the 2023 NBA Draft.
Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
At the time this film was made, motion picture theaters were required to pay a 20% tax on gross ticket sales, and Congress was debating lowering this tax (as well as others) in a bill being considered by a Congressional committee. This film, which was made especially to be shown to members of the committee, sets forth the motion picture industry's case for reducing, if not eliminating, the tax.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
Documentary/training film depicting the duties of a pilot in the Pacific Theatre of the Second World War as he flies reconnaissance missions over enemy-held islands.
By setting a bad example, pilot Dilbert shows the necessary safety rules for fighter pilots, and the ones training them.
A documentary that follows the story of Dario Pasquarella, deaf director and actor, and his company. Through his work, Dario seeks to bring together the deaf and hearing community, who are usually separated by a lack of communication. In his shows he uses both languages, LIS, sign language and spoken language, to tell stories in which the deaf and hearing can live in symbiosis.
A brisk visual summary of the changing faces of the English town throughout the ages, from the ancients and their hill-forts to the Second World War -- enlivened by the appearance of ghostly denizens to defend their eras against the narrator's various strictures!
30 years ago, the Gagauzian minority living in the northern regions of the Black Sea was left abandoned in the middle of colliding political powers of European Union, Russia, Moldova, Ukraine, and Turkey. Today, Gagauzians have nothing other than their bonds to each other. The Fountain is about the ceasing culture and language of the Gagauz people. It portrays the effects of the rise and fall of the Soviet Union on different generations while displaying the consequences of the vast social assimilation by following the daily lives of local families. The tradition of the Gagauz community is unique and preserved almost intact for centuries. However, it is rapidly fading now, as the elderly pass away. Unfortunately, the fountain flows weaker and weaker through the new generations.
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
Short documentary about the Georgian Military Road. Captures Ingush and Ossetian settlements of the early 20th century
The camera wanders through streets standing witness to a war that has destroyed a city and an entire nation. Bagdadi goes to war against the Lebanese civil war, exploring different locations and situations in a country faced with its own demise. The poetic text raises questions of life and death through contrasting images of violent death and the will to live.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A playful and original vision of the indelible mark left by Emiliano Zapata.