Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.
Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.
2006-02-18
0
Reworked and colored images of people playing at the seashore.
A subjective view of an UFO. Shot frame-by-frame along the Tama River.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Sara is the protector of her brother Soma. In order to keep Soma's feelings from being hurt, Sara must face six rivals.
Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.
The movie shows the consequences of total and partial removal of the epithelial bodies in a cat
Two cats housed in a glass box, one of which had received a small amount of atropine in the preliminary experiment, are exposed to ether vapors with the result that only the animal which had not been pretreated began to salivate (profusely).
Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.
Long ago, four extraordinary beings of dual male and female spirit, led by Kapaemahu, brought certain healing arts from Tahiti to Hawaii and were loved by the people for their gentle ways and the miraculous cures they performed.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Short animation by Al Jarnow based on the work of British poet Edward Lear. Made at NYU.
A stream of consciousness experiment committed directly to celluloid, Jarnow pays homage to Stan Brakhage and Harry Smith. Abstract designs transform self portraiture, lettering tests and images traced from other films including a Charlie Chaplin short.
Tondo introduces the cosmic formalism that was the primary theme of Al Jarnow's independent films. An infinite gridscape alternates with vibrating etchings, spirograms and other surreal realities.
Intended to be an "animation machine," Four Quadrant Exercise finds Jarnow adapting a perspective system, enabling him to render complex motions almost automatically. Created prior to the streamlined ease of computer software, this short is a commitment to the joy of making marks on paper.
The primary motif in this silent picture is a grid that controls the shapes and motions of forms contained within the framework of a rotating cube. Constructed from interlocking cycles, the film explores branches and loops along paths laid down by geometric logic.
This is the story about a boy not like the others that dreams about finding his place in the world.