The fortunes of two expeditions a century and a half apart become mysteriously linked in the same desolate stretch of Kalahari Desert. In 1848 the Broon family are sent by the London Missionary Society to look for and convert a legendary race of strangely deformed savages. In 1983, a team of three people go off in search of what really happened.
Sarah Broom
Esther Broom
The fortunes of two expeditions a century and a half apart become mysteriously linked in the same desolate stretch of Kalahari Desert. In 1848 the Broon family are sent by the London Missionary Society to look for and convert a legendary race of strangely deformed savages. In 1983, a team of three people go off in search of what really happened.
1984-03-13
0
Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.
A woman left alone in Morocco by her architect husband begins to lose her mind.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership.
A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.
When Jarah loses her husband, her child, her land and her innocence she embarks on a brutal journey of of retribution and revenge that transforms into redemption and reconciliation.
In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
In 1890s India, an arrogant British commander challenges the harshly taxed residents of Champaner to a high-stakes cricket match.
Tabataba tells the story of a small Malagasy village during the independence uprising which took place in 1947 in the south of the country. For several months, part of the Malagasy population revolted against the French colonial army in a bloody struggle. The repression in villages that followed was terrible, leading to fires, arrests and torture. Women, children and the elderly were the indirect victims of the conflict and suffered particularly from famine and illness. One leader of the MDRM Malagasy Party, which campaigns for the independence of the country, arrives in a village. Solo (François Botozandry), the main character, is still too young to fight but he sees his brother and most of the men in his clan join up. His grandmother, Bakanga (Soavelo), knows what will happen, but Solo still hopes his elder brother will return a hero. After months of rumours, he sees instead the French army arrive to crush the rebellion.
In between growing frustrations toward cleaning up after an endless parade of tourists and reflections on a traumatizing memory, a voice rises from within a soft-spoken Hawaiian janitor down on the sidewalk in Waikiki. This narrative short film is inspired by a collection of poetry published posthumously featuring the work of Kānaka Maoli poet Wayne Kaumualii Westlake (1947-84).
The Randolph family have a tradition of working in the British colonial service. Clive comes home from a mission in the Gold Coast of Africa accompanied by his wife Helen. He discovers his younger brother John, is not keen on following in his footsteps. John is then persuaded to try colonial service by his grandfather. He is accompanied by Clive who has been sent to investigate the source of a series of radio broadcasts that are sewing unrest throughout the world. These may be linked to Hugo Zurof, a man plotting to rule the world.
The story of Quincy Bosomfield who is the product of colonial education and has risen to become the district commissioner. In the process, he abandons his African heritage and all that has real meaning to him.
Rui was raised in Mozambique in a small village at the frontier of a mysterious river. Son of Portuguese colonists, his best friend is Ana, a black girl godchild of his mother. At fourteen he is confronted with the tragic destruction of his childhood and has to learn to recognize two distinct realities - the European and the African.
In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
French colonists in Africa, several months behind in the news, find themselves at war with their German neighbors. Deciding that they must do their proper duty and fight the Germans, they promptly conscript the local native population. Issuing them boots and rifles, the French attempt to make "proper" soldiers out of the Africans. A young, idealistic French geographer seems to be the only rational person in the town, and he takes over control of the "war" after several bungles on the part of the others.
A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.
After numerous military operations, Major Müller can't find a way back into civilian life. Following his urge to communicate, the Major is looking for listeners and encouragement. He doesn't find either. Instead, the repeated monological memory of his own heroic deeds determines his present – with all the consequences. This 30-minute short film is based on the statements made by the mercenary Siegfried Müller in the documentary “The Laughing Man” (Walter Heynowski and Gerhard Scheumann, DEFA studio for newsreels and documentaries, 1966), as well as records from the German colonial period in Africa. An intensive contribution to the necessary public debate about the consequences of military operations.