Filmed in London, sent to Paris. For Helga Fanderl. "Dear Helga, today I have recieved a postcard from Chile. Shaking folds and tearing invisible strata, I aim to wander through this city". J.M.
Filmed in London, sent to Paris. For Helga Fanderl. "Dear Helga, today I have recieved a postcard from Chile. Shaking folds and tearing invisible strata, I aim to wander through this city". J.M.
2010-12-01
5
A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.
LAPD detective Mike Dooley and his dog, the German Shepherd Jerry Lee, have been successfully partnered for ten years, but Jerry’s advancing age has Dooley’s superiors suggesting retirement and they are forced to work with a younger K-9 team: female cop Sergeant Welles and her disciplined Doberman Zeus.
Dooley and his K-9 partner Jerry Lee are ready to retire from the police force. But before he can retire with his pension he must work as a P.I. to find a set of high tech computer chips.
Six vignettes pit an assortment of characters against each other in everyday situations.
A Soviet cruise ship "Evgeni Onegin" is carrying cages with tigers and lions for a Soviet Circus. One loose monkey unlocks all cages, letting the tigers and lions out. Poor passengers and crew have no place to run. The captain abandons his post out of fear, and the monkey takes over the captain's post. The ship gets under total control by the tigers and lions. Only one lady is standing up to the challenge. Her name is Marianna, she loves animals, and she takes the situation under control.
Set in late 19th century Canton, this martial arts film depicts the stance taken by the legendary martial arts hero Wong Fei-Hung against foreign forces' plundering of China.
Veteran cop Nick Pulovski is used to playing musical partners; many of the partners he's had in the past have died on the job, and often as a result of Nick's risky tactics. But the rookie who's been assigned to help Nick bust a carjacking ring is almost as hotheaded as he is … and when Nick gets kidnapped, his newbie partner is his only hope.
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
Seiji Hasumi is a popular English teacher in a private high school. He is also a violent and sociopathic killer, who slowly takes control of the students and faculty through murder and manipulation. When he is caught in the act during preparations for the school cultural festival, he sees staging a massacre as the only way out.
The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.
Join the spook-busting, case-cracking, snack-munching fun as Scooby-Doo and the Mystery, Inc. gang gear up for four of their most frightening adventures ever! Traveling the globe on their ongoing quest to trip up crooks (and chow down on munchies), Scooby-Doo, Shaggy, Daphne, Fred and Velma tangle with a supernatural assortment of eerie adversaries. Facing multiple monsters, ghouls galore and gobs of ghosts, our top-dog detective and those "meddling kids" will stop at nothing to get their ghoul as they confront SCOOBY-DOO'S CREEPIEST CAPERS!
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.
Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.
Americans Jeff and Tommy, hunting in Scotland, stumble upon a village - Brigadoon. They soon learn that the town appears once every 100 years in order to preserve its peace and special beauty. The citizens go to bed at night and when they wake up, it's 100 years later. Tommy falls in love with a beautiful young woman, Fiona, and is torn between staying or going back to his hectic life in New York.
Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of her idol Norman Maine, is sent for a screen test, and before long attains stardom as newly minted Vicki Lester. She and Norman marry, though his career soon dwindles to nothing due to his chronic alcoholism.
From Pompeii to Xenia puts in echo times of innocence struck by disaster: the lightning tornado which had beaten down on the American city of Xénia in 1974 answers, at thousands of kilometers in distance and centuries apart, the mythical eruption of Vesuvius in 79. The extended panorama, derived through the crossing of history and from an intimate story and urban sociology, is the cinematic reconstruction of a personal history: of its historical and geographical conditions to its processing.
A Week in the Hole chronicles a factory employee’s adjusting to the materials, time, space and personnel during his first day of work.
Imported (1999) is about three methods of ridding collard and kale greens of a pesky insect.
Sportello Quattro, filmed during a residency at the American Academy in Rome, is about immigration, work and community among people of color in contemporary Rome, Italy.
Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.
A silent succession of black-and-white photographs of the city of Montreal.
I killed two fish for this project, and made them suffer as little as possible, in order to film them and in order to eat them. Attempting to uncover something about either the natural process(killing and eating) or the more removed process(filming and editing), in an experimental entanglement.
Druga linija aka The Other Line is a product of many years of research of neo-avant-garde cultural and art scene in Novi Sad, Serbia (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlinale). The cultural and artistic emancipation of that time had implied individual freedom of expression and strong reaction to established boundaries. This avant-garde movement had become threat to communist establishment, the authors' work were sabotaged, the films were sealed off, five artists were taken to trial, two were sent in prison. How is it that the retrograde mechanism of shutting down and removing the most creative and representative progressive impulses of our surrounding is still so current to this day?
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Modified flashlights and stripped down video projectors explore the visual complexities of the ordinary world: a tunnel, a clump of grass, a discarded table, the underside of a bridge, fog, a piece of rock and a tree. All the images were shot in real time, there is no animation, but through the power of a peculiar form of illumination they become mysterious and evocative.