Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.
Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.
2017-09-21
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The Band. The Music. The Era. And the photographer who captured it all
The story of The Boomtown Rats, who fought a conservative Ireland, broke through the UK punk scene, scored global No 1 hits and revolutionised the world with Bob Geldof’s Live Aid.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.
The movie shows the consequences of total and partial removal of the epithelial bodies in a cat
Two cats housed in a glass box, one of which had received a small amount of atropine in the preliminary experiment, are exposed to ether vapors with the result that only the animal which had not been pretreated began to salivate (profusely).
Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
The Blockheads are an English rock band formed in London in 1977. Originally fronted by lead singer Ian Dury as Ian Dury and the Blockheads or Ian and the Blockheads, the band has continued to perform since Dury's death in 2000. Song listing 1) Sex & Drugs & Rock & Roll, 2) What A Waste!, 3) Hit Me With Your Rhythm Stick, 4) Reasons To Be Cheerful, Part 3, 5) I Want To Be Straight, 6) Sueperman's Big Sister
Documentary on how the osprey catches its prey. The film shows the search for prey, the launch maneuvers, take-off maneuvers and the fights with the fish.
British rapper Rodney P tells the story of how grime rose from the council estates of east London to become the most important British musical movement since punk.
1. War Music (Intro) 2. So Dressed Up 3. No Reason 4. Angelina And Sister Ray 5. Find The Time 6. Jetslide 7. Kiss Of The Rat 8. I Wanna Go Home 9. You're Out Of My Hands 10. Goodbye Joey 11. You Ain't Nothing To Me 12. Dance To The Rocket From The Crypt 13. Ghost Of My Control 14. Ain't Seen Nothing 15. Escape From Pigvalley Beach 16. I'd Rather Drink Than Talk 17. This Ain't The Way Home 18. Slug It Out 19. I'll Wait 20. No Place To Land 21. This Is My Life
Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?
Powderfinger Regroups For 'One Night Lonely' 7.00PM AEST, Saturday 23 May 2020. After a decade long hiatus, iconic Australian band #Powderfinger is tuning up and preparing to bring a little happiness to fans during these challenging days. The title signifies the one off nature of this event and points towards the very important charities the band are supporting, Beyond Blue and Support Act. With millions of album sales in Australia alone, Powderfinger continue to captivate millions of listeners every month across streaming services and radio. In April 2010 Powderfinger announced they were calling it a day. The band embarked on their Sunsets Farewell Tour, playing to over 300 000 people along the way, and on 13 November 2010 they played their last gig, until now… One Night Lonely is presented by Secret Sounds, Universal Music Australia, YouTube and supports Beyond Blue and Support Act.
Crossed by greed, two hundred and seventy-two people were buried by tailings from the Vale mining company in Brumadinho (MG), Brazil. The emptiness that now crosses those who try to carry on will never be filled. This tribute film is dedicated to the victims of the irresponsible mining tragedy that continues to take its toll with blood and devastation.
The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.
Since second grade Matt and Ryan have shared the bond of speech impediments, weapons, and things that go fast. But as their last days of high school speed by, the two friends find that their go-carts, dirt bikes, and RC cars can’t outrun adulthood.
Ambushed by Ulster loyalists, three members of the Miami Showband were killed in Northern Ireland in 1975. Was the crime linked to the government?