Chip and Dale are starving in their tree home when they notice a plentiful supply of acorns on an island in a lake. To get to the island, they borrow a miniature model ship of Donald's to sail on. The irate Donald, however, doesn't appreciate them stealing his ship and makes several attempts to get it back and thwart their scheme to get to their acorn paradise. Chip and Dale are, of course, always one step ahead of Donald.
Dale (voice) (uncredited)
Chip and Dale are starving in their tree home when they notice a plentiful supply of acorns on an island in a lake. To get to the island, they borrow a miniature model ship of Donald's to sail on. The irate Donald, however, doesn't appreciate them stealing his ship and makes several attempts to get it back and thwart their scheme to get to their acorn paradise. Chip and Dale are, of course, always one step ahead of Donald.
1956-02-24
6.652
Hungry chipmunks Chip and Dale are down to their last acorn.
Humphrey the bear isn't having much luck with his fishing; every time he catches some nice fish, he gets distracted and drops them. So he goes after the catches of the local anglers instead. But ranger Woodlore frowns on this, insisting the bear fish like one.
Donald tries to keep Chip 'n' Dale away from his acorns. But when he accidentally spills a super-grow formula on one, a super-sized acorn is at stake. It's either the chipmunks dinner or Donald's prize at the fair.
Donald visits Daisy. When he can't open a window, he flies into a rage and practically destroys her house. She won't see him again until he takes care of that temper. He orders a mail-order insult machine, which promises that if Donald can endure 10 minutes of abuse without losing his temper, he'll be cured. It proceeds to deliver physical and verbal abuse, and Donald is cured. He goes back and Daisy tests him on the balky window.
Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.
Inspired by the filmmaker's own story, an aspiring screenwriter and musician's life quickly unravels when he is diagnosed with a crippling form of OCD. While struggling through his darkest hour, he must help himself and those around him tackle a litany of universal issues: grief, coming-of-age, addiction, redemption and the power of social connection.
After the death of the family's matriarch, her husband and son must confront not only the corruption in society around them but the corruption within themselves.
A mortician seeks revenge against a serial killer who has murdered her sister. However, there is a case of mistaken identity and she begins to target her psychiatrist instead.
Susan and Henry are hosting a dinner party, while trying to make good on a lie concerning the recent death of their father. Unexpected guests arrive, causing the night to unravel despite Susan's best efforts.
After losing his twin brother to cancer, Dave Nowick is left to fulfill his brother's parting wish, "Take care of our wrestling club." Coach Dave walks the fine line between winning and personal growth in one of the world's elite sports, finding a new perspective and healing along the way.
Laawaris is a 1999 Indian film directed by Shrikant Sharma. It stars Jackie Shroff, Akshaye Khanna, Dimple Kapadia and Manisha Koirala.
A father and son run a rickety used car lot in Southern California. The old man and his boy are left overs from a bygone era of Americana.
No Time for Tears is a moving, sympathetic portrayal of the challenges faced by all those who enter this most demanding yet rewarding of professions – from routine operations to more serious conditions, from anxious, sometimes hostile parents to workplace romance. The lives of the staff and patients of Mayfield Children's Hospital are inextricably woven together with the laughter, tears and devotion that lie behind the work of restoring children to health and happiness.
The L.A. police find two bodies in a fancy house and suspect the wife of one victim. Dr. Ellis, a hypnotherapist, takes her back in time; with the police listening, a pattern of spousal abuse emerges. When each trance ends, however, the woman, Carolyn Walker, wonders if those repressed memories are true. Dr. Ellis guides her through her trial, testifies himself, and continues treatment after the verdict is in. Carolyn's memory and well-being get worse after the trial, not better. She misses some therapy sessions, and Dr. Ellis comes to see her at home. Snatches of memory come and go. Can he help her remember what really happened? Are the cops satisfied justice has been done?
In a bid to escape their domineering wives, two womanizing slackers get saddled with a corpse amongst other challenges in a foreign country.
Drawing from a passage from the Rosh Hashana Service, “Who shall live, who shall die… who by water, who by fire,” this short film deals with that which has been preordained—a future history that will in time unfold before us as the faces of passengers on a ship forces us to contemplate our own fate.
A romantic film packed with fun and adventure Gandharavam tells the story of an auto mechanic who falls in love with the daughter of a crime mob family.
A moody love story featuring a cat and mouse. Even if we are lucky enough to love and be loved, deep down we remain a bit lonely. The film talks about how dearly we have to pay for our inability to endure this loneliness. About the fact that we must take care of love carefully, because returning to a loved one may prove impossible, even if there is a glowing longing on both sides. A broken diamond can no longer be glued together.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
Bugs takes a wrong turn off the Hollywood freeway and tunnels into the headquarters of Napoleon Bonaparte.
Crusoe, played by Yosemite Sam, has been living off coconuts for 20 years when Bugs washes up on his island.
An animated interpretation of a rocket voyage to the moon demonstrates the scientific principles at play in theoretical space travel (such as gravity).
Rare theatrical promo for the Christmas Seals charity, showing the busy daily routine of an urban everyman and offering the health wisdom of eight hours of sleep each night.
Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.
Bernard faces the stereotype of an animal predator, one you wouldn’t cross paths with. Feeling resigned, he tries to express the truth about his isolation, and suppress the call of nature in him.
A risk averse insurance actuary's life is turned upside down when his pleasure seeking mirror image id switches places with him in order to show him how to live.
A dog, a Tesla machine, two physics students, and an unexpected turn into another dimension.
Where does love go when lovers break apart? Or when they stay together? How do you find the spirit to fall in love again? Is it permissible-possible and is it possible-legal to love several people at the same time? What becomes of our love after death, is it really that important or simply inevitable? This is about the laws of love, which are as simple as one, two, three, when we are still in love, but incomprehensible and unexplainable once love retreats. About the logic of the heart, which has nothing in common with common logic, just like non-Euclidean geometry disproves and surpasses the Euclidean one.
Pinocchio, an animated wooden puppet tries to escape from his father, Gepetto in a creepy and dark toy factory.
Barney's settling in for the winter. But water leaks, a loose shutter, a noisy fire, a teakettle left on, and some stray embers all get in the way, and Barney also locks himself out. And that's just the beginning.
The Two Curious Puppies wander into a theater and run afoul of a trickster magician's rabbit, a playful seal and an intimidating little bird.
A descent into the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at 49. A diary transmuted into a clash of images and sounds charting a prodigious frenzy of creation, a tableau depicting an artist’s dizzying descent into depression and madness: with LIPSETT DIARIES, Theodore Ushev renews his filmmaking aesthetic and explores what happens when genius is on a first-name basis with madness.