Nangungupahan follows the different lives of people who occupy a room of an apartment through different points in time. The room may mean differently to each occupant; and by overlapping these timelines, we gain insight about our shared space and history, as well as the bigger structures outside that affect us.
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
Paranoid computer programmer Simon wakes up to find a package in his room one day. Despite attempts at securing his apartment, the packages keep arriving. While cameras watch Simon's every move, he struggles to find the answers to the mysterious forces taking over his life.
When Marie moves into her boyfriend's apartment, she uncovers a disturbing mystery about the fate of the previous tenant.
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Mel Edison has just lost his job after many years and now has to cope with being unemployed at middle age during an intense NYC heat wave.
In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.
Two straight guys pretend to be a gay couple to secure a posh Miami apartment, but fall for their gorgeous roommate. Hilarity ensues as they strive to convince everyone of the ruse while secretly trying to win her heart.
Death in Arizona is a futuristic documentary of lost love and a tale of a dying civilization. It is an autobiographical portrayal of a man who returns to his lost love’s empty apartment in pursuit of answers. The distant voices of a tribe in Arizona that survived a meteorite strike make their way into the third story apartment of this obscure Bolivian city.
Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
Veteran Secret Service agent Frank Horrigan is a man haunted by his failure to save President Kennedy while serving protection detail in Dallas. Thirty years later, a man calling himself "Booth" threatens the life of the current President, forcing Horrigan to come back to protection detail to confront the ghosts from his past.
Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.
A manicurist and an engaged loafer, both planning to marry money, meet and fall in love.
Nozomi and Lana share an apartment in Tokyo. They have both auditioned for the same role in a movie, and know that the shortlist has been cut down to just the two of them. As they wait the night before finding out who will get the role, their personality clashes erupt into an all-out battle.
Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.
Mia is a rebellious teenager on the verge of being kicked out of school. Her hard-partying mother, Joanne, neglects Mia's welfare in favor of her own, and her younger sister hangs out with a much older crowd. Sparks fly between Mia and Connor, Joanne's new boyfriend, and he encourages Mia to pursue her interest in dance. As the boundaries of the relationships become blurred, Mia and Joanne compete for Connor's affection.