Unborn in the USA: Inside the War on Abortion is a 2007 documentary film featuring interviews with pro-life activists across the United states. Its tagline is, "How the pro-lifers are winning". The film was started as a thesis project by students Stephen Fell and Will Thompson of Rice University. The film chronicles major events such as the annual March for Life and the 2004 March for Women's Lives, and features interviews with members of the Army of God and other pro-life activists.
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Unborn in the USA: Inside the War on Abortion is a 2007 documentary film featuring interviews with pro-life activists across the United states. Its tagline is, "How the pro-lifers are winning". The film was started as a thesis project by students Stephen Fell and Will Thompson of Rice University. The film chronicles major events such as the annual March for Life and the 2004 March for Women's Lives, and features interviews with members of the Army of God and other pro-life activists.
2007-06-15
6.8
How the pro-lifers are winning
A darkly comic tale of a world in which the female population are slowly, and methodically doing away with their male counterparts.
A behind-the-scenes look at the making of "Dracula" (1979).
The life of legendary Brazilian musician Alfredo da Rocha Vianna Filho, better known as Pixinguinha.
Stuck in a loveless marriage to intellectual George Tesman, the ambitious Hedda Gabler hungers for a life her husband can't provide. Then a former flame, the successful Eilert, enters the picture, violence and blackmail aren't far behind.
An abnormal taxi driver lusts for blood every rainy night, and several young women are killed as a result. The muderer, Laiu, likes to take photos of the victims dismembered bodies as momentos. Inspector Lee is called onto the case in this bizarre thriller.
About small-time gangster Asakichi's chaotic life in the 1930s. His gambling addiction means that he must not continue working in the family business. Instead he supports himself by arranging cockfights. He becomes ex-geisha Okinu's patron and lover, and falls directly into disfavor with the yakuza.
Peter Tscherkassky condenses the long history of railways in the movies into a rousing blast for the senses in a heartfelt tribute to another legend of experimental cinema Kurt Kren.
Sylvia Rosch is a woman with dangerous obsessions. Camouflaged by perfectly rehearsed masquerades, she wages a merciless campaign of revenge. Anyone who gets too close will succumb to an insidious murder. The marriage swindler's preferred victims are men worth millions. Barbara Lahn and Til Wegner from the BKA are facing a huge challenge. They are supposed to collect evidence against the angel of death.
A follow up to the 1978 documentary. Wherein we take a look at the kids who were sent to a prison and were subjected to the words of the convicts in the prison in hopes of getting them to go straight. We get a look of how they are doing. We also look at some of the convicts. How some of them got out but ended up back in prison.
Priest nags a crusty old man into reconciling with his daughter-in-law and granddaughter after the death of his son.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
Platinum hitmakers Matchbox Twenty hit the stage and tell the tales for the groundbreaking VH1 series, "Storytellers." Starting with their 1996 debut, "Yourself or Someone Like You," Matchbox Twenty has built a devoted following that continues to grow with each new record and tour. Filmed at New York City's Chelsea Piers, Matchbox Twenty perform their many hits including a stripped-down version of the timeless "3 A.M." with Rob Thomas at the piano. Songs: Bent, Mad Season, Black and White People, Push, If You're Gone, Crutch, Lonely Weekend, You Won't Be Mine, Rest Stop, 3 AM.
Following the presidential run of Dr. Massouda Jalal in Afghanistan's initial democratic election, this compelling documentary details her experience as the first woman to run for the highest office since the exile of the Taliban.
The holiday romance of Daniel and Marjana is disturbed by a premonition of an imminent fatal event. In this vision, the beloved accompanies her lover on an arduous and wearisome voyage by sea and when the situation seems most desperate, a mysterious ship suddenly appears on the horizon…
The distant relative is a scheming woman who installs herself as the guardian of the two orphan girls and then tries to gain possession of their ranch. Cowboy friends of the orphan girls expose the schemer and her accomplice.
Dan's ham-fisted attempts to get 'new' mother Mia into bed with hilarious, emotional and musical consequences.