An authoritarian father, who makes his living in a mountain village with tree trade, has a deeper problem with his family due to his oppressive and unjust behavior. The way out of this psychological crisis that the family is in depends on the ability of family members to forgive each other.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
Vasco, a wealthy Italian real estate developer, lives between vice and luxury, when a killer of organized crime seriously injures him in an ambush. When he wakes up after three years of coma is no longer the same: no longer has any memory of his past, talk to the trees as if they were close friends, avoids the demands of work and luxuries preferring to wander on the beaches. To prevent the collapse of his business empire is sent in search of a cure through Italy, India and the United States, but a planetary cataclysm is lurking ...
The film is based on the after the wedding custom when a newly-wed bride is taken back to her husband's home for the first time.
Palden Gyatso, a Buddhist monk since childhood, was arrested by the Chinese Communist Army in 1959. He spent the next 33 years in prison for the "crimes" of peaceful demonstration and refusal to denounce his apolitical teacher as an Indian spy. He was tortured, starved and sentenced to hard labor. He watched his nation and culture destroyed, his teachers, friends and family displaced, jailed or killed under Chinese occupation. Fire Under the Snow reaches back to Palden's birth in 1933 and follows him through the Orwellian nightmare that began with the Chinese invasion. We cut back and forth between the past and Palden's present as an activist, living in exile. Our P.O.V. becomes a "third eye" hovering over Palden’s current life, haunted by his memories of the past. We explore the escalating cycle of interrogation and physical violation during his years in prison that ended decades later with Palden's escape from Tibet and a cathartic meeting with His Holiness the Dalai Lama.
A naive but humane student leaves his town with the ambition to become a doctor, promising to return to help his people, who see him as a local hero.
A mini-presentation of consciousness dealing with cosmos. The world in a grain of sand. Connections between life, death, and the world are neither static nor symmetrical but flowing and intuitive. The movement of emulsion through which images are seen is like the mind trying to retrieve and put things together. C’est la vie is a positive muscular little thing
The 25th movie in the series, Go! Anpanman: Fly! The Handkerchief of Hope. Go! Anpanman: Fly! The Handkerchief of Hope features Pao, a small elephant boy who lives above the clouds. Every day, Pao practices at the house of Saji Ojisan, who cleans the sky with handkerchiefs coming out from his nose, so that one day he will be able to to do the same. However, it doesn’t go well, and he always fails. Thinking there is nothing he can do and nothing would ever go well, he unconsciously closes himself off to the world. Meanwhile, Baikinman is organizing the “Baikin Circus.” The newest mecha called Amazing Elephant morphs into Dirty Elephant and starts polluting the town. Pao seems to break down because of his lack of usefulness, but seeing how Anpanman never gives up and faces any difficulty, he decides to go forward and hold onto hope.
"Hotel Farrapos" has the Farroupilha Revolution as a backdrop, not the war itself, but the banal way in which it permeates our day-to-day, giving name to the sandwich, to the avenue, to the park, etc. The film is a walk on the “B side” of Porto Alegre.
In December 2001, the world's media reported that a young Japanese woman, Takako Konishi, had died whilst trying to find the money hidden in the snow at the end of the Coen Brothers' film 'Fargo'. The fact that she died outside the town of Fargo was correct. The rest was not a true story. Director Paul Berczeller took it upon himself to look into this tale that the media swallowed so easily, finding that the truth was a lot more tragic and a lot less melodramatic…
A lesbian with a buzz cut returns home for a family funeral and must deal with her homophobic mother.