January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
Sofiya Mikhaylovna
January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
1998-01-01
0
Biopic about general Hazi Aslanov, who died fighting Germans in WW2.
The investigator Seyfi Ganiyev runs the case of an illegal mercery shop's head Murad Abiyev, who confessed in embezzlement of one million rubles from public funds. Abiyev is also accused of the murder of an underage girls that occurred in Riga shortly after Abiyev saw her. He denies his guilt, but does not name the perpetrators though he knows them, despite the fact that he is facing the death penalty. The investigator understands that some high-ranking officials stand behind Abiyev, but he has no proof. Ganiyev seeks to obtain from the prisoner the whole truth to bring the criminals to justice.
Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.
A young girl is trying to save an island which is endangered by nearby construction.
A journalist is investigating a group of poachers who are illegally selling the huge amounts of fish
Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.
The film portrays the life of the legendary Azerbaijani guerrilla of the Second World War Mehdi Huseynzadeh, who fought the Nazi forces in the present-day Italy and Slovenia, hence the film's name On distant shores referring to the Adriatic Sea.
The film is about famous Chechen ballet and folk dancer Mahmud Essembayev's life.
Matteo Falcone is an Azerbaijani short drama film based on Prosper Merimée's like-named story from 1829. Matteo Falcone is a successful Corsican, who lives with his wife Giuseppa and 10-year-old son Fortunato. One day he leaves home with Giuseppa, leaving Fortunato alone.
This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.
Psychological drama about a university dean who leads a double life.
The film is about lad who joined the underworld, after coming from Afghan war.
Mustafa works as a guide in Shaki (the city in Azerbaijan) and decides traveling to Turkey for making a trade to get some money. When his spouse and him went there, unexpected processes started to happen.
Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.
After the novelette of the same name of M.Ibrahimbeyov. Tahir is twelwe. His parents are seperating and he is troubled by incident which impels his guestion the nature of relations between men and women.