A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.
A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.
2010-08-26
6.026
We have selected 17 short films on the environment divided into 4 different categories: amateur, animation, fiction and documentary. These short films are in competition for the prize on each category.
FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in such a way as to provide miniature, almost instantaneous fictions, confined and numerous, where meaning can occur between the frames as much as it might in the frame. Overall, the film could be described as a visual assault as well as a reference to the invasive nature of the act of taking photographs and more abstractedly with the problem of image or picture functioning as representation of some or all aspects of an object or thing. While the movements and the pace of the film are structured as to suggest relentlessness and insistence of control, the assembly of images therein serve to illustrate the nervous breakdown of the characters represented as their actions, forced into exact repetitions, lose their original expression and take on a new, more ominous existence.
Rizin Fighting Federation 1 was a mixed martial arts event held by the Rizin Fighting Federation on April 17, 2016 at the Nippon Gaishi Hall in Nagoya, Japan.
The attractive Davida enters a shop shortly before off-time and wants to buy a bathtub. Just the manager is still there. As business is not well, he is willing to stay longer. Davida wants to try the bathtubs. Although this is not allowed in the shop the manager agrees. As if that is not enough, Davida says she wants the bathtub for two and needs to be sure it fits her needs. She wants the manager to take place in the bathtub too.
The parallel fates of a few inhabitants of a strange planet : the world of Internet gay encounters...
Even though she is in great shape and only 36, the dancer Skye Rhodan is confronted with the approaching end of her career and the question of what she wants to do next in her life. Skye doesn't want to accept that she should only dance in the second division because of her age.
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
Tujhe Dekhne Se Pehle tells the heartfelt journey of two friends, Vicky and Katrina, living in the United Kingdom. Katrina has secretly loved Vicky for a long time, but he remains unaware of her feelings. One day, Katrina invites Vicky to meet her at Tower Bridge in London. Over coffee and romantic conversations, their connection begins to deepen. Katrina takes Vicky on a memorable tour of the city, showing him iconic landmarks like Waterloo Underground Station, London Bridge, and the Parliament building. Their day ends with a car ride to Birmingham, where they stay overnight at a cozy hotel. The next morning, they visit Brean Down, a scenic coastal area. At the highest point of the walk, Katrina gathers her courage and proposes marriage. Touched and realizing his own feelings, Vicky accepts, and their bond blossoms into deep love. The music video delivers a heartfelt message: friendships can evolve into beautiful relationships, and life's unexpected turns often lead to love.
After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.
A serial killer is terrorizing a small college town. When a student begins to have psychic visions of the killer with clues as to who he is, he gives this information to the police - only to find that he himself is suspected of committing the murders.
After Hurricane Katrina, New Orleans handyman and blues singer-songwriter Gabe Recolte was bereft. Left homeless and heartbroken, he had been forced to evacuate and relocate before he could tell club owner Hattie how much he cares for her.
After parting with Sasuke at the Final Valley, Uzumaki Naruto has been away from the village of Konohagakure to further his training. Two and a half years later, he finally returns to the village and takes his mission in Team Kakashi, then he finds the clue on Orochimaru. Naruto leads the team and heads to the place where Orochimaru is in order to save his friend Sasuke. However, little does he know that "Akatsuki" is seeking after his life to acquire the Nine-Tailed sealed in his body.
A young photographer's home is haunted by it's former residents.
The Red Rocks amphitheater in Colorado provides the awe-inspiring backdrop for Rob Thomas in one of the most memorable stops on his Something to Be tour, featuring the multi-platinum recording artist performing hits from both Matchbox Twenty and his solo career.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.
A collage of Derek Jarman's super 8 footage spanning over 20 years.
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
New York City's various bridges transform into an urban jungle (jazz version) or an alien landscape (electro-acoustic version).
A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin presents a powerful, personal moment while maintaining a distance and resisting the viewer being subsumed into the action on screen.
Shot over a period of three years. Marie Menken photographed New York window displays during the Christmas holiday. In order to avoid foot and street traffic interrupting the shots, Menken filmed from midnight to 1:00 in the morning, but had to keep the camera under her coat to keep it from freezing.
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.
This two-color (green-blue and red) film was produced as a demonstration reel at the Paragon Studios in Fort Lee, New Jersey, under the direction of Kodak scientist John Capstaff. It features leading actresses, including Mae Murray, Hope Hampton, and Mary Eaton, posing and miming for the camera to showcase the capability of the complex Kodachrome process to capture their translucent movie star complexions and colorful, high-fashion clothing.
A postmodern Swiss-Tyrolean ensemble ventures into remote mountainous regions, embracing the sonorous variety of local vernaculars. A poetic road movie with stunning shots and an emphatic approach to a new alpine aesthetics.
In Curitiba, the group that leads music label Meia-Vida is responsible for a secret portion of the city, hidden behind secluded apartments, dimly lit rooms and crooked, labyrinthine songs, responsible for one of the most fascinating musical movements in the country.
Photographic and sound story, through the encounter of characters with their stories of a time without end.
As the filmmaker pursues a creative career, she goes looking for others in similar positions to explore what her decision entails. Mixing experimental art and documentary film, the work explores the real and imaginary boundaries of creativity.
A psychedelic montage of home movie footage gives way to a silent western story.
In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.
Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.