Everything is different but nothing has changed. A trip through a sunken maze of memories and dreams.
Young Protagonist
Older Protagonist (Voice)
Beige Jumper Man
Older Protagonist
Beige Jumper Man (Voice)
Young Protagonist (Voice)
Everything is different but nothing has changed. A trip through a sunken maze of memories and dreams.
2018-02-05
8.4
The title of this work comes from Cicero’s Latin, meaning ‘the nerve of things’. Using Jenin refugee camp in the Palestinian Occupied Territories as its visual subject and a rich soundscape of excerpts from the writings of Fernando Pessoa and Jean Genet, Nervus Rerum confronts the difficulties of representation the people within this geographic enclave face. The Jenin camp was established in 1953, in order to provide shelter for Palestinians dispersed and expelled from their homes after the formation of Israel in 1948. The inhabitants of this camp resist resettling in order to keep their dispersed status, as to relinquish it would be to relinquish their claim upon their native home. As a result they have no political representation, rights, or status. In turn, Nervus Rerum disperses the sources it uses to represent these people and this place, exploring representation, transparency through opacity, and the form of the essay film in itself.
A band on a trip to nowhere, while music keeps the dream alive and revives memories.
Man-eating crocodiles return to the lake as two males and one aggressive female crocodile, which is protecting her nest, wreak havoc on the locals.
Dorota Geller, a married woman, faces a dilemma involving her sick husband's prognosis. Her husband's doctor, who believes in God, sweared about it in vain.
Louise meets Nathan, her dreams resurface. It's also the story of her ailing brother, their mother, and the destiny of a leading family of wealthy Italian industrialists. The story of a family falling apart, a world coming to an end and love beginning.
With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer.
Alice finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of her unborn child.
Göran and Sven have been cleared for adoption and they have a possibility to adopt a swedish orphan, Patrik 1,5. But when Patrik arrives he turns out to be someone else, not the little boy they were expecting. A comma had been misplaced, and in comes a 15-year-old homophobic with a criminal past.
Bernardo is dumped by his girlfriend, his career as a rock music critic is beginning to decline and stars to see a psychologist but in the meantime he meets the problematic and shy Camilla, who disrupts his life.
Craig and his cousin Day Day have finally moved out of their parents' houses and into their own crib, working nights at a local mall as security guards. When their house is robbed on Christmas Eve they set out to track down the culprit.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Desperate to be free from her drunken, unloving mother Diane, the beautiful, scheming young Mini seduces her stepfather Martin and soon convinces him to join her in a sadistic scheme to have Diane declared insane. But their conspiracy soon escalates to murder and when John Garson, a young detective starts investigating, Martin and Mini begin to turn on each other.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
A moody love story featuring a cat and mouse. Even if we are lucky enough to love and be loved, deep down we remain a bit lonely. The film talks about how dearly we have to pay for our inability to endure this loneliness. About the fact that we must take care of love carefully, because returning to a loved one may prove impossible, even if there is a glowing longing on both sides. A broken diamond can no longer be glued together.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
Bugs takes a wrong turn off the Hollywood freeway and tunnels into the headquarters of Napoleon Bonaparte.
Crusoe, played by Yosemite Sam, has been living off coconuts for 20 years when Bugs washes up on his island.
An animated interpretation of a rocket voyage to the moon demonstrates the scientific principles at play in theoretical space travel (such as gravity).
Rare theatrical promo for the Christmas Seals charity, showing the busy daily routine of an urban everyman and offering the health wisdom of eight hours of sleep each night.
Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.
Bernard faces the stereotype of an animal predator, one you wouldn’t cross paths with. Feeling resigned, he tries to express the truth about his isolation, and suppress the call of nature in him.
Where does love go when lovers break apart? Or when they stay together? How do you find the spirit to fall in love again? Is it permissible-possible and is it possible-legal to love several people at the same time? What becomes of our love after death, is it really that important or simply inevitable? This is about the laws of love, which are as simple as one, two, three, when we are still in love, but incomprehensible and unexplainable once love retreats. About the logic of the heart, which has nothing in common with common logic, just like non-Euclidean geometry disproves and surpasses the Euclidean one.
Pinocchio, an animated wooden puppet tries to escape from his father, Gepetto in a creepy and dark toy factory.
Barney's settling in for the winter. But water leaks, a loose shutter, a noisy fire, a teakettle left on, and some stray embers all get in the way, and Barney also locks himself out. And that's just the beginning.
The Two Curious Puppies wander into a theater and run afoul of a trickster magician's rabbit, a playful seal and an intimidating little bird.
A descent into the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at 49. A diary transmuted into a clash of images and sounds charting a prodigious frenzy of creation, a tableau depicting an artist’s dizzying descent into depression and madness: with LIPSETT DIARIES, Theodore Ushev renews his filmmaking aesthetic and explores what happens when genius is on a first-name basis with madness.