Willie Colón & Rubén Blades - Live In Venezuela(1998)

Venezuela es un Desorden(es)

Through humor, anecdotes and their songs, mythical Venezuelan ska band Desorden Público tells their story and that of three decades of their country.

Rubén Blades: Todos Vuelven Live, Vol. 2(es)

Celebrated actor, political activist, songwriter, and multiple Grammy Award winning performer Rubén Blades returned to the stage with the live tour "Todos Vuelven". It has been seen by over one million people worldwide.

Un Anhelo Constante(es)

Tiempo Compartido con La Vida Bohème(es)

Stop wasting energy following the plot. Who cares if your socks don't match? This is the mental vacation you needed. So sit down, relax and enjoy the best that a mercantile society can offer us: Fake remedies, seizure-inducing lights and the tenderness of opening your heart to a bandit. Classic songs with new faces and new songs that promise to be pool aerobics classics.

Vamos Pal Matiné(es)

In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.

Escuela de Nada Salva la Navidad(es)

The first sketch show by Escuela de Nada. A christmas movie produced by EDN in which you'll see how they try to save christmas after having lived a truly shitty year.

Una Fabula Muy Trillada: The Legacy Of Dermis Tatú(es)

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.

Oscar D' Leon - Live From London(es)

After several undistinguished albums in the early 80s, D’León began a return to form with 1984’s Con Cariño. Between 1985 and 1987 D’León issued a succession of albums featuring some of his strongest material, inspired playing and assured arrangements, which justified his position as one of salsa’s true international stars. The definitive albums of this period were 1987’s Riquiti..! and La Salsa Soy Yo. In June and October 1988, D’León demonstrated his live reputation by playing three sell-out concerts at London’s Hackney Empire. The last was recorded and broadcast in 1989 as a programme in BBC television’s Rhythms Of The World world music series, then released as Oscar D’León Live, the first salsa video to be issued in the UK.

ESE EME: The Unauthorized History(es)

An independent rockumentary that comprises first-hand testimonials about the history of Sentimiento Muerto, the most influential band in Venezuela, as well as the projects that came after its dissolution: Dermis Tatú and PAN.

Cyanide Candies Live(es)

2008 concert movie of the Venezuelan rock / punk band called "Caramelos De Cinanuro" (Cyanide Candies). Songs Performed: Veterana Surfer Girl Las Notas No Eres Tu Las Estrellas Flor De Fuego El Último Polvo Baby Cohete El Flaco Bruja - Pistolero - Tu Mamá Te Va A Como Serpiente Sanitarios- Veronica- Canción Suave: Despecho #2 Retrovisor La Terraza El Martillo

10 Years of Indeleble(es)

This documentary tells the story behind "Indeleble", the album with which Los Mesoneros received four Latin Grammy nominations and toured many countries. "10 Años de Indeleble" features interviews, stories, and songs that had never seen the light of day, along with a live show in which Los Mesoneros perform, in order, the songs that were part of that first record.

Who Wants Tuki?(es)

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

Papita, maní, tostón(es)

Andres (Jean Pierre Agostini) it's a fan of Los Leones del Caracas one of the principal baseball teams of Venezuela. Julissa (Juliette Pardau) it's a fan of Los Navegantes del Magallanes, the rival team. One day Andres gets tickets to see the game in Magallanes VIP Zone. He meets Julissa and her dad who is not only fan but one of the team's managers. Andres and Julissa will fall in love and will have to pretend to be fan of the other's team. But soon trouble will arise.

Maroa(en)

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

La Soledad(es)

Jose lives with his family in La Soledad, a dilapidated villa located in what used to be one of Caracas' most affluent neighborhoods. After learning that the owners are planning to sell the property, Jose seeks any solution that might keep his young daughter from growing up in the city's crime-sodden slums.

The Two Missionaries(it)

Two missionaries (Bud Spencer and Terence Hill) come into conflict with the authorities when they turn their missionary into a parrot farm. The Bishop of Maracaibo calls them his 'black sheep' and the Monsignore has been called to check on their behavior. Like usual, our heroes help the poor to defend themselves and provoke some funny fist fights in the process. (from Wikipedia)

Macu, la mujer del policía(es)

The true story of a jealous policeman and his young wife living in a shanty-town in South America.

La Ley(es)

Pedro is about to be appointed a judge of the supreme court Spanish, but a call announces the death of his grandmother in Venezuela and its subsequent inheritance. This news forces him to "take suitcases", never imagining that this country change the way you see life, justice and love.

Er relajo der Loro(es)

The film tells the story of a parrot who after being sold to traffickers of animals as a child at the time of Marcos Pérez Jiménez, passes from hand to hand all his life and changing its name depending on your business, while being observed before his eyes the evolution of Venezuela for 50 years (1950 to 2000).

Solsticio(es)

Miguel is guilty of the serious state of health of his daughter and considers to disappear before seeing it die.