Trick or Drink(1983)

Shine a Light(en)

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

Memory Books(en)

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

At Times I Imagine Seeing The Light Reflect Upon The Wire(es)

There is a distance, emotionally not only physically, between Jimena and her grandmother, Miri. This is a way to try and get closer, to understand, to accept, mixing past and present she tries to find her grandmother, in an attempt to reconnect with something that once existed, but that it no longer does.

2 or 3 Things I Know About Him(de)

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Familiar Phantoms(ar)

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

All the Women I Know(gl)

From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.

The Story of a Slough(en)

When the Tanana River bridge was installed in Salcha, Alaska, the community worried about the levee's effects on fish wildlife. Salcha Elementary School, along with the help of Tanana Valley Watershed Association, conducted a 10-year scientific project with students to study the effects the levee had on Piledriver Slough. Tori Brannan - the filmmaker's mother - is a retired principal at Salcha Elementary and was the project's centerpiece. She shares her experiences with the project, the community, and how her daughter's involvement strengthened their relationship.

Kathleen Shannon: On Film, Feminism & Other Dreams(en)

With quiet intelligence and wry humour, retired documentary filmmaker Kathleen Shannon takes us through the arc of her life and career. Beginning with childhood, moving through her formative years, to her overwhelming desire to give women a chance to tell their stories, this film paints a vibrant portrait of one woman who blazed the way. It's a story of struggle, persistence, and success… and of course, of the NFB's Studio D.

Émergence(fr)

Katiana talks about her experiences as a woman in Haiti. As a woman, she faces many limitations and abuses from men who are more privileged than she is. Despite the difficulties of her condition, she has found the courage to achieve greater personal and financial independence.

A Cremation Day(th)

When my mom wants to burn all her wedding photos.

Maman Maman Maman(fr)

Bauer’s quirky family gathers once a year in a French chateau. There is a crooning cousin, family dinners with games and plays, and a great-uncle who still seems to live in the Vichy age. At the heart of this colourful cast is Maman, Bauer’s grandmother, who passed away during the shoot. What follows is an increasingly absurd story of a woman who, after her death, embarks on a journey that eventually becomes an odyssey.

Circus(et)

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

Dixie Chicks: Shut Up and Sing(en)

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

A Letter Without Words(en)

Lisa Lewenz retraces the steps of her Jewish grandmother who dared to film life in Berlin during the rise of Nazi Germany.

VIVAS(en)

Mexico is one of the countries worldwide with the highest rate of femicides, the murder of women because they are women. The mothers of two murdered girls became active in feminist collectives to demand stricter laws from the government. Film maker Angélica Cruz Aguilar shows the situation of the families of the murdered women, but also the fight of women for justice and security.

Beauvoir, l'aventure d'être soi(fr)

Only in Theaters(en)

ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.

Father(zh)

The director's grandfather is a blind fortune teller and his father a real-estate owner. They have grievances against each other for dismantling the old house. Grandfather thinks it's time for him to leave and asks Father to quit his job. At the same time, an accident happens at Father's construction site. They are entangled in dealing with the hatred from the past and the kinship that has always existed.

We Are Not Princesses(ar)

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.

Ofelia(es)

At 88 years old, Ofelia reflects on her life under the attentive gaze of her grandchildren. Family, love, disputes, adventures, and tragedies. A story brimming with characters that, as a result of the passing of time, leaves Ofelia as the sole witness to recount it