In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.
In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.
2017-11-20
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Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.
The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.
Short documentary on the Cambodian Handicraft Association which trains and supports women who have been affected by polio, landmine injuries, deafness or mental trauma.
Dr. Feelgood shares several perspectives on prescription drug use, exploring the issues involved when doctors are faced with patients seeking help for chronic pain.
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.
Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos
My Really Cool Legs! follows a group of pediatric amputee athletes who challenge themselves beyond their disability. Led by their amputee mentor and coach, these kids dance and ski, ice skate and run, refusing to let their disability define who they are and what is possible.
Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.
A documentary on the German Women Football National Team and the 2011 FIFA World Championship in Germany.
The Sea [Morze] is a 1933 Polish short documentary film directed by Wanda Jakubowska. It was nominated for an Academy Award in 1933 for Best Short Subject (Novelty).
Through the stories of a Hispanic girls soccer team at Kelly High School in Chicago, IN THE GAME illustrates the enormous challenges facing inner-city girls in their quest for higher education and, most importantly, success in life.
Contrasts traditional and modern village life, as changes occur with better transport and as country estates are sold off for housing.
The lives of three generations of women who suffered political persecution during the military dictatorship in Brazil.
A look back at the 1000 days of the John F. Kennedy presidency.
Following Germany's transformation as a society from the Holocaust to becoming the moral leader of Europe as the country embraces hundreds of thousands of refugees.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Lenka and Míra Hřib are a young married couple with two small children. They are both interested in ecology and sustainable life.