Naima Wifstrand, leading old lady, dressed as a Primadonna presents the variety revue "The Old, Happy 40's", a dark time of angst, depression and derailed, wild happiness. Those were the days. Music, dance, songs and hillarious sketches follow.
Naima Wifstrand, leading old lady, dressed as a Primadonna presents the variety revue "The Old, Happy 40's", a dark time of angst, depression and derailed, wild happiness. Those were the days. Music, dance, songs and hillarious sketches follow.
1950-11-06
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The program on this DVD is basically a retrospective produced in the early 1990s for public television that was originally called «A Bing Crosby Christmas: Just Like the Ones You Used to Know» that was narrated by Gene Kelly and hosted by Bing's widow, Kathryn Crosby. The program itself features clips from fifteen of Bing's classic television specials, concentrating on the period from the early 1960s onwards when he included Kathryn and their three children in the programs.
A dance and music film tailored completely for Marika Rokk: After her divorce, the wife of a composer uses her wit and charm to engage Marika as a singer and dancer on the stage. This manages to give life once again to the extinguished love between her and her former husband.
A show/happening recorded at restaurant Tyrol in Stockholm.
A variety film consisting of 13 solo songs and two musical sketches, one comedic, the other serious, all in the Italian language but made entirely in the USA by members of the Italian-American community in New York. Missed by the American Film Institute and IMDb, information was found in the New York State Archives' files from that state's old censors' office.
Olsen and Johnson, a pair of stage comedians, try to turn their play into a movie and bring together a young couple in love, while breaking the fourth wall every step of the way.
A live concert event featuring Starlight Kuku Gumi held at Pacifico Yokohama National Convention Hall on December 22, 2018.
On a set resembling a yacht, Roger Wolfe Kahn leads his orchestra in several popular tunes of the day. Billed and un-billed guest acts also perform. At the end, Kahn thrills his guests by piloting a biplane.
An all-star revue featuring MGM contract players.
The Divine Miss M is featured in a concert filmed at the University of Minnesota, Minneapolis, at the culmination of her most recent cross-country tour which was known as "De Tour". This live recording was a combination of footage from both September 10 and 11, 1983. Set against a Renaissance art background and outfitted in a rainbow array of costumes, Midler sings and performs her uninhibited stage antics.
Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.
The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.
Despite the fact that production manager Kruse doesn't have the actors or the crew for the job, he recklessly boasts that he could direct a revue film. To prevent him losing face, Kruse brings together four people - a dramaturg, a composer, a writer and an architect - and gives them the thankless task of turning his idea into a film. Except for the relatively unknown composer Alexander Ritter, who is enthusiastically committed to the project, the other members of the team find themselves stuck in this mess.
A group of feisty, talented young performers pool their resources and buy a dilapidated theatre to showcase their acts – but unscrupulous property developers also want the theatre and resort to dirty tricks to disrupt the first night's performance!
"You could have met in the office over coffee and cake to say congratulations, and that would have been that," writes Claes Eriksson in the preface to the 30th anniversary party's program. But that will not be the case...
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
For 23 straight Saturday nights of 1982, The Chicago Party dance show assaulted Chicagoland UHF eyeballs with Spandex, Southside fly guys, tender tenderonies, magicians, contortionists, prismatic video gimmickry, and lip-synched singles by a rising regime of local post-disco casualties. Unfettered nightlife and outlandish humor poured out of oddball outpost The CopHerBox II and onto TV screens. Pooling business acumen with music scene prominence, James Christopher and Willie Woods opened the CopHerBox II in 1979 at 117th and Halsted on Chicago’s Southside. To promote their venture, they purchased airtime on Chicago’s WCIU-TV Channel 26 for weekly installments of The Chicago Party. Each Saturday, the club’s adult clientele filled the illuminated dance floor, providing vibrant B-roll between tapings of breakdancing magicians and Jheri curled ventriloquists, giving an audience to a rising regime of Chicago Soul heavyweights.