
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Self
Grandma Welsh
Child Christine
Father
Mother
Little Girls
Little Girls
Women
Women
Self (voice)

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
1991-01-01
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0.0Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.
0.0Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.
7.0NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.
0.0Life After opens the dialogue surrounding grief and how we experience it. Through conversations with Nicola Winstanley and Carmen Galavan about what grief is and how it affects us, we learn what it really means to live a life after.
Resilience is dedicated to those whose lives have been fragmented by intergenerational trauma, but who wish to break the cycle.
0.0Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.
One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean. Through the scrubbing and wiping and rinsing, Madison's thoughts drift to her mother — and her obsessive need to tidy. Madison’s mother survived a traumatic childhood: her own mother never reconciled what she went through at residential school. Cleaning offers moments of control that she didn’t have as a child. She’s fought hard, against all odds, to become a strong woman. They say trauma is in the genes, that it’s passed from one generation to the next. But strength is inherited too. Through rituals as simple as spending time together and smudging, Madison and her mother are beginning to mend the cycle of pain in their family. Declutter is an intimate look into a private moment between mother and daughter and the strength that carries them both.
0.0Waters’ LIFT project, ᏗᏂᏠᎯ ᎤᏪᏯ (Meet Me at the Creek), is the fourth of a quartet of films, and focuses on interconnectedness and Cherokee values through the lifelong fight of Rebecca Jim, a Cherokee Nation citizen and waterkeeper warrior, as she leads the effort to restore Tar Creek in Miami, Oklahoma.
0.0NiiSoTeWak means “walking the path together.” Tapwewin and Pawaken are 10-year-old brothers trying to make sense of the world, their family and each other. They’re already grappling with some heady questions about identity. What does it mean to be a twin? What does it mean to be Cree? How do you define yourself when you’re forever linked to someone else? The twins discuss these questions with their two elder brothers — 22-year-old actor Asivak and 20-year-old basketball player Mahiigan — and their parents, Jules and Jake.
Yagorihwanirats, a Mohawk child from Kahnawake Mohawk Territory in Quebec, attends a unique and special school: Karihwanoron. It is a Mohawk immersion program that teaches Mohawk language, culture and philosophy. Yagorihwanirats is so excited to go to school that she never wants to miss a day – even if she is sick.
Three intrepid women battle for Indigenous women's treaty rights.
0.0In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.
0.0For the Suruí, an indigenous people in western Brazil, there was a lot at stake in the 2022 presidential elections. Under incumbent President Bolsonaro, logging and mining companies were given free rein in their territory. His opponent Lula, on the other hand, pledged to protect the Amazon and uphold Indigenous rights. Tribal leader Almir and his daughter, the young activist Txai Suruí, are each followed during their campaign in the final month before the elections. While Txai travels abroad to raise awareness about the destruction of the rainforest, Almir campaigns across the state of Rondônia, seeking support for his congressional bid.
0.0This short documentary profiles the Canadian military’s organization, logistical, and security operations at the XXI Olympiad held in 1976 in Montréal. The scale of the operation was large: 16,000 troops were mobilized to provide protection for 7,500 athletes, countless VIPs, and the general public on 138 sites located in Montreal, Bromont, and Kingston. This film offers a behind-the-scenes look at the planning and synchronization necessary to mount a successful international event of massive proportions.
6.6In 1896, three survivors of a whaling ship-wreck in the Canadian Arctic are saved and adopted by an Eskimo tribe but frictions arise when the three start misbehaving.
7.0The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.
6.8Wisconsin's tribe's ongoing fight to protect Lake Superior for future generations. "Bad River" shows the Bad River Band of Lake Superior Chippewa's long history of activism and resistance in the context of continuing legal battles with Enbridge Energy over its Line 5 oil pipeline. The Line 5 pipeline has been operating on 12 miles of the Bad River Band's land with expired easements for more than a decade. The Band and the Canadian company have been locked in a legal battle over the pipeline since 2019.
0.0From challah to immigration to the wandering Jew, Ma Nishma Manitoba is a mid-length documentary that explores Manitoban Jewish stories of identity and history. Filmmakers Johanna and Sara put their own experiences in local context by chatting with several Jewish Manitobans, including a rabbi, politician, artist, Israeli immigrant, and others. Archival materials, illustrations, and stop animations connect history with present-day opinions and stories, as Sara and Johanna explore what being Jewish in Manitoba means to them and others.