Головний герой
2011-08-31
7
Peer through the lens of a high profile political dissident, banished from the online world. After introducing the viewer to each of the five characters, the film recounts how each individual then came to lose their access to social media and the affect it had on them at the time, and since the event. With their stories told, they present the broader issues raised by their media de-platforming and what they foresee in their future in media and the whole of Western Culture at-large.
Ernest Borgnine tours the country in his Luxury coach bus, The Sunbum.
An aerial performer and her young adult son grapple with her understanding of his transition via letters and physical performance.
Nora and Stefan fall in love with one another after an accident takes place, but then end up losing sight of one another later on. Stefan ends up saving the life of young Christine and becomes her fiancée. Christine, however, is Nora’s daughter (can’t see where this is heading, huh?). When Christine finds out that mom and her hubby-to-be had a rather intimate history, she takes a boat ride on a stormy lake. But the prophecy of disaster associated with the bronze figure “Melusine” does not come to pass: Stefan looks for Christine, finds her in one piece and stays with her. Nora, for her part, decides incest might be a bad thing and gives up Stefan forever to go back to the man she divorced (hey, way to feel wanted!). For some reason, the Nazis didn’t like the plot’s moral message and banned it after its completion.
Alex, a struggling painter, is going through a particularly bad patch. Dumped by his girlfriend and unable to get work, Alex finds his life taking a rare upswing when he moves into a new apartment and falls for his neighbor, Lori. But when things start to go wrong between Alex and Lori, their close proximity to each other proves to have an enormous downside, leading to further amusing antics.
Ginny and Little Bit are in trouble. After their father and only living relative is murdered by a gang of outlaws led by an increasingly unhinged marauder named Chance, they've been on the run. Narrowly escaping death, Ginny has only her wiles and her love for her little brother, as they make their way across an unforgiving landscape fraught with sheer danger. As she struggles with the painful memory of her father's murder and the utterly overwhelming guilt born from killing the man who was hell-bent on her rape and torture, Ginny is out of options as the wolves are relentlessly closing in. Things change for the children when they cross paths with Major Malcolm Hunter, a one-time war hero and lawman who's now been reduced to an old man with a failing memory. They form an alliance and make an attempt to reach the town of Black Ridge, where they could all be saved. Will Malcolm and Ginny have what it takes to find this place of refuge that may or may not even exist?
Jean-Pierre (Jacques Villeret), un attaché humanitaire qui travaille au ministère des Affaires Etrangères, accepte de reconduire un jeune clandestin (Lorant Deutsch) dans son pays d'origine. Celui-ci appartient à la tribu des Hommes Gris d'Irghiz, réfugiés depuis la préhistoire dans une cité interdite du Haut Atlas.
The title of Like the Deserts Miss the Rain comes from "Missing," the first of nine videos on this collection (and the band's biggest U.S. hit). While all could be described as "stylish"--much like Everything But the Girl--they're otherwise quite different. Sometimes Tracey Thorne and Ben Watt appear; other times actors take center stage. "Single," for instance, features a man tumbling across town: down the street, into a Laundromat, in and out of a dryer, etc. Then there's the "populist" video for Simon and Garfunkels "The Only Living Boy in New York," directed by art house favorite Hal Hartley (Henry Fool). (The duo appears to have added a few dozen members.) The DVD also includes three live performances, including a fine version of Massive Attack's "Protection" (featuring Thorne on vocals), and three demo tracks that play as photos of the duo pass by. A fine career overview of one of the U.K.'s most enduring acts. --Kathleen C. Fennessy
Amid a snowy barnyard, Foghorn Leghorn deflects the carniverous attentions of a lip-smacking weasel.
Charlie Chaplin is a saint to earthquake survivors in a small desert town in India and they are throwing him a birthday party. Australian filmmaker Kathryn Millard is taking the cake - a chocolate truffle sponge shaped like the Tramp's boot.
Pierre is an engine driver who adopts a small girl, a WWI orphan. A widower, he sees in her the image of her mother.
An orphaned girl in a poverty-stricken neighborhood is adopted by a kindly neighbor. He struggles to support her honestly, despite opportunities to participate in a neighbor’s scurrilous get-rich-quick schemes. Invoking the pain of Chinese exiles living in Taiwan, or missing relatives still in China, the touching film posits an in-between historical period during which it is crucial for displaced residents to maintain virtue as a bedrock of identity.