Narradora
Niño de Marte (voice)
2015-09-20
0
Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also
Giovanni currently lives a dreary life of near non-stop work. At school, his peers ridicule him incessantly, and his employer at work is distant and cold. As his isolation from society becomes unbearable, he suddenly finds himself on a train heading far away from his miserable home. Accompanied by Campanella, an acquaintance from school, Giovanni embarks on a journey that will define the rest of his life.
A mother and son are eating sushi at a conveyer belt sushi bar in Tokyo. This film depicts their conversation using cutout animation.
When the young orphan boy James spills a magic bag of crocodile tongues, he finds himself in possession of a giant peach that flies him away to strange lands.
The scene is set in front of a French chateau. The camera chases improbable incidents across the screen. Many are constructed out of one of Jordan's favorite engravings illustrators: Poyet. Duels occur on a tight rope. Heavier-than- air machines fly (and sometimes crash). Below guns spear exploding spheres. The timing of the animation is exquisite, existing in an atmosphere balanced between frenzy and delight.
In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.
Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.
In this feature film based on the hit animated series, the third graders of South Park sneak into an R-rated film by ultra-vulgar Canadian television personalities Terrance and Phillip, and emerge with expanded vocabularies that leave their parents and teachers scandalized. When outraged Americans try to censor the film, the controversy spirals into a call to wage war on Canada and Terrance and Phillip end up on death row, with the kids their only hope of rescue.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
An action epic that explores the origins of the Aqua Teen Hunger Force (better known as Master Shake, Frylock, and Meatwad,) who somehow become pitted in a battle over an immortal piece of exercise equipment.
A postman, S.D. Kluger, decides to answer some of the most common questions about Santa Claus, and tells us about a baby named Kris who is raised by a family of elf toymakers named Kringle. When Kris grows up, he wants to deliver toys to the children of Sombertown. But its Mayor is too mean to let that happen. And to make things worse, the Winter Warlock lives between the Kringles and Sombertown.
Bitter and hateful, the Grinch is irritated at the thought of a nearby village having a happy time celebrating Christmas. Disguised as Santa Claus, with his dog made to look like a reindeer, he decides to raid the village to steal all the Christmas things.
The Hans Christian Anderson tale gets a new treatment, this time with a rat trying to exploit the talents of a little ugly duckling for profit.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Kibosh, supreme ruler of all ghosts, decrees that casper must scare at least one person before Christmas Day so Casper visits Kriss, Massachusetts where he meets the Jollimore family and sets out to complete his mission. As usual, kindhearted Casper has a ghastky time trying to scare anyone; so The Ghostly Trio, fed up with his goody-boo-shoes behavior, secretly hires Casper's look-alike cousin Spooky to do the job-with hilarious results.
Sink is set in Tomioka’s brightly coloured yet worn and grubby surreal world, where on this occasion we see commuter trains packed with deep sea divers reading pornography. Sealed off behind their protective shells from any real human contact, the commuters are clearly inspired by Tomioka’s experiences on Tokyo’s underground but perhaps represent everyone who shuts themselves away behind iPods, computers and books, afraid of real face-to-face human interaction.