Narrator
Narrator
2016-08-20
0
Carla Haddad Mardini was born with bombs blasting at the worst period of the Lebanese Civil War. She embarked on a career in the humanitarian field where she experienced a meteoric rise, quickly holding leadership positions, first at the ICRC and now at UNICEF in New York. One of her greatest successes is to have overcome the challenges of combining harmonious family life with an intense professional career.
Set in the military outpost of San Antonio, Texas, AFTER FIRE highlights the challenges faced by the fastest-growing group of American veterans: women, who now account for one in five new recruits to the U.S. Armed Forces. Demonstrating courage during their military service and resilience in its aftermath, three women military veterans candidly confront the fallout of their experiences on their personal lives as they adjust to the civilian world. The film throws a spotlight on the human toll of military service - including military sexual trauma, combat injuries and bureaucratic dysfunction - telling a universal story about strength in the aftermath of trauma.
This is the story of the courageous all-female Apache 8 firefighting unit which has protected their reservation and responded to wildfires around the nation for 30 years. This group, which recently became co-ed, earned the reputation of being fierce, loyal and dependable--and tougher than their male colleagues. Despite facing gender stereotypes and the problems that come with life on the impoverished reservation, the women became known as some of the country's most elite firefighters. The film focuses on four women from different generations of Apache 8 crewmembers who speak tenderly and often humorously of hardship, loss, family, community and pride in being a firefighter.
Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.
Hotel Coolgardie is a portrait of outback Australia, as experienced by two backpackers who find themselves the latest batch of “fresh meat” to work as barmaids in a remote mining town.
Fighters is a portrait of the current realities of both the urban and rural Mexican woman. Filmed in Mexico City and the State of Zacatecas this film documents the primary circumstances, difficulties, obstacles and preoccupations that women face daily in this country. Poverty, hunger, * machismo*, mass migration, and social inequality -- these are some of the issues that are explored through their testimonies. Women from various professions, ages and social-economic statuses share their stories and their hopes for the future, and create a portrait of a Mexico where women are taking more of a central role.
Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.
Eight women on the margins of Israeli society are thrown together during the course of a school year at Tel Aviv's oldest beauty school. Amidst the combs and colorings, these women present a microcosm of modern-day Tel Aviv -- native Israelis and new immigrants, Asians and Africans, among them women struggling with cancer and personal loss. As they learn to create beauty without, each woman undergoes a powerful transformation within.
A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.
This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.
In this documentary a diverse collection of women share successes and aspirations in their chosen field of professional wrestling. It stars nationally televised stars from TNA (Total Nonstop Action), Jade also known as Mia Yim and her former tag team partner Marti Bell. It also stars UFC competitor Shayna Baszler along with Ring of Honor's Kelly Klein and rising indie star Nicole Savoy.
Between 1975 and 1979, at least 250,000 Cambodian women were forced into marriages by the Khmer Rouge. Sochan was one of them. At the age of 16, she was forced to marry a soldier who raped her. After 30 years of silence, Sochan decided to bring her case to the international tribunal set up to try former Khmer Rouge leaders.
From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.
Filmmaker Sophie Dros enters into a dialogue with strong women in a powerfull document about being a woman in the Netherlands today. Inspired by Simone de Beauvoir's essay The second sex, filmmaker Sophie Dros (winner of the NFF Debut Competition 2017) talks to four women and a group of young girls. Together they go in search of universal stories; about dealing with expectations, empathy and connection, desires, fear, need for confirmation and losing control.
The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.
On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?
For young Muslims who live in a free society, how is the culture of origin of the parents compatible with their own wishes? What significance does the commandment of virginity have?