Thanassakis, a 13-year-old boy, is staying with his grandparents in the Greek village of Ano Ravenia, while his parents stay with his younger brother in Zurich, Switzerland. It was filmed during three periods: winter in the village, summer in the village (while his parents, as most migrants, come back for the holidays), and Christmas in Zurich when the grandfather and the young boy visit their family. Who is most important to the young boy - his father or grandfather?
Thanassakis, a 13-year-old boy, is staying with his grandparents in the Greek village of Ano Ravenia, while his parents stay with his younger brother in Zurich, Switzerland. It was filmed during three periods: winter in the village, summer in the village (while his parents, as most migrants, come back for the holidays), and Christmas in Zurich when the grandfather and the young boy visit their family. Who is most important to the young boy - his father or grandfather?
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0.0Luc Bachelot, a researcher with the CNRS, has been directing since 1994 the French archeological mission at Tell Shioukh Faouqâni in Syria and coordinates the excavations that are carried out there.
This film follows the lives over one year, shot during three intervals, of two Basque shepherding families who live in Santazi, a village in the foothills of the French Pyrenees. The film is the only Disappearing World film made in western Europe and it focuses on the continuity and change in the community. This film shows the rationality behind the choice the villagers are making.
10.0A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.
10.0As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
8.0Do animals have feelings? Empathy even? A documentary with some insights due to advancing technology.
0.0Video dedicated to the celebration of the centenary of Edison Carneiro’s birth, one of the great exponents of folklore studies in Brazil, whose contribution remains present to this day, forming important documentary collections and influencing the institution’s mission.
10.0Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.
Ju/'hoan women often share an intimate sociability and spend many hours together discussing their lives, enjoying each other's company and children. In this short film, Ju/'hoan women rest, talk and nurse their babies while lying in the shade of a baobab tree. This film is a good illustration of "collective mothering" in which several women support each other and share the nurturing role.
This film depicts a moment of flirtation between N!ai, the young wife of /Gunda, and her great-uncle /Ti!kay. The two share a "joking relationship," a Ju/'hoan kin relationship which provides opportunities for casual intimacy, emotional release, and support.
0.0In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.
"Heart of the Country" is the story of Shinichi Yasutomo, the extraordinary principal of a rural elementary school in Kanayama, central Hokkaido, Northern Japan. Yasutomo is a man driven by his vision for learning and his passion for educating the heart as well as the mind. The film follows Yasutomo, his teachers and staff, students and their families over the course of one entire school year. The film is also the story of the families of Kanayama. Parents and elders of this once impoverished town embrace Yasutomo's vision, but not without wary glances back to the past. This small community, bound together by love for its children, is also defined by its journey through the cultural upheavals of postwar Japan.
0.0Vaastu Marabu documents the theory and practice of the Vaastu tradition of Indian art, architecture, craft and design. One of the foremost shilpis (designer-builder-sculpter) of India, Shri. V. Ganapati Sthapati of Mammallapuram, meditates on his art and his occupation. The film shows the process of making stone idols at Mammallapuram, near Madras, of casting bronzes in Kumbakonam, and of building stone temples at Kamudhi, near Madurai and at Ratnagiri, near Vellore. It illustrates the continuity of the tradition and reveals a technology that is ancient, yet still relevant today. The film explores the process of translating inner experience into art, and invites us to experience the naked beauty of the form while understanding the metaphysical message. The art of the Vishwakarma has given form and expression to all denominations of metaphysical thought in India. The film also probes the underlying scientific and mathematical principles.
0.0For centuries, Stonehenge has been cloaked in mystery. Who built it? How did they do it? Why did they do it and what is its significance? Now, a team of archaeologists takes a high-tech approach to find out, and their discoveries will exceed all expectations. Learn the full story of the world's most investigated prehistoric site, featuring a forgotten people who were meticulous planners, profound believers and true warriors. It's a 10,000-year-old tale, pieced together by state-of-the-art survey equipment and compelling archaeological evidence.
0.0Standing near the reptile section in a zoo we can learn a lot about the animals on both sides of the separating glass.
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.
0.0An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.
6.0Huelva, Spain, an isolated region lost in time. The grass, the sand and the sky are the same that those foreigners saw in the spring of 1895, when they crossed the sea from a distant country to mark the unspoiled terrain and extract its wealth, when the tower was new, when people could climb to the top of the highest dune and imagine that the city of Tartessos was still there, in the distance, almost invisible in the morning brume.
7.0Raymundo Gleyzer's documentary on o community of Pottery Makers in the west of Cordoba province in Argentina who create pieces to sell to the tourists.