Documentary about the making of the film first presented on the British television series "The South Bank Show".
Documentary about the making of the film first presented on the British television series "The South Bank Show".
1988-01-17
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They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
Leonard Maltin interviews Tony Curtis on his experience filming 'Some Like It Hot'.
A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.
A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."
The incredible story of the Italian Emilio D'Alessandro, personal driver of the great director Stanley Kubrick (1928-1999), who met Emilio by chance in London in 1971 and hired him, thus establishing a deep friendship that lasted thirty years and helped create four masterpieces of cinema. A moving tale about two seemingly opposing people who found their ideal travel companion far away from home…
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
A joyful tale filled with music. The rise of radio. The jazz big bands. The legendary clubs and ballrooms. The soundtracks of the great musical films and TV shows. Sex and romance, gangsters, luxury cars and palm trees. From Barcelona to New York, with a stop in Cuba. The birth of Las Vegas. The sound of the maracas. Chihuahuas everywhere. The incredible life story of Xavier Cugat (1900-90).
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.
The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.
Since the 1930’s, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film’s post-production, Foley artists recreate sound that will match the moving image on-screen, using whatever objects are at their fingertips, from hundreds of pairs of old shoes to clunky old tools and squeaky mattresses. But how will Hollywood’s low-tech sound artists survive as digital technology consumes modern movie-making?
Exploring the edits to receive an R rating from the MPAA.
An appreciation of Dressed to Kill by Keith Gordon
A look back at the life and works of Michelangelo Antonioni.