Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape
Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape
1990-01-01
3
Pierre Bismuth hires a private detective and a duo of screenwriters to investigate on an enigmatic artwork.
A documentary about Gian Lorenzo Bernini, creator of the Baroque sculptural style. It shows more than 60 masterpieces exhibited in Villa Borghese, Rome. These prestigious masterpieces are explained and analyzed in detail.
A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou
Laura Cumming takes a journey through more than 500 years of self-portraits and finds out how the greatest names in western art transformed themselves into their own masterpieces.
The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before "packaging", which teems with anecdotes and unsuspected details.
Focusing on the self-narration and visual language of the mounted police, ‘A horse is a horse of course of course’ reflects on how police horses are treated as just another of the many apparatuses police use for the maintenance of social control systems and their legitimation. While undergoing a special domestication process aimed at suppressing their instinctive flight responses to fear, horses become a means to impose disciplinary power in return. Originally a two-channel video, ‘A horse is a horse of course of course’ invites us to question the distorted mainstream cultural definition of policing. To start engaging with an abolitionist practice also requires radically decoding and refusing the oversimplifying language that police speak.
A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. It's just an acknowledgment , not a denial of reality. Here are my paintings.
Breaking a mirror initiates five different acts in five different places; exposing shades of magic, politics, and systemic violence. The harm social systems are designed to inflict, the enforced disappearances in Turkey during the 1990s, the border politics of the EU, manipulative storytelling, and power struggles are evoked as the round Pendant attempts to become whole again with its gemstones scattered throughout the acts.
A German submarine hunts allied ships during the Second World War, but it soon becomes the hunted. The crew tries to survive below the surface, while stretching both the boat and themselves to their limits.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
In Unborn we follow the internal monologue of a hybrid pigeon-persona who questions her inevitable cursed fate of parenthood. As a pigeon, she is supposed to build a nest to lay her eggs, but she fundamentally doubts her part in the cycle of life. Several absurd scenes show her struggle with popular belief, and nightmarish fantasies around the trappings of parenthood, and indirectly address reproductive rights without perpetuating the polarising perspective present in ongoing public debate. The spell-like remarks of the crow could be seen as her conscience echoing society’s expectations around reproduction. The presence of the egg as a haunted object with magical properties in this film becomes an unsettling interpretation of (in)fertility as a curse. The video incorporates various digital and hand-made techniques like stop-motion animation, set design, sound design and performance to unfold an uncanny world.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in Contemporary Mexico
This short film provides a glimpse at famous art galleries of Rome, Florence, and the Vatican.
The Michael Clark Dance Group perform to the music of T.Rex, Chopin, the Beatles and the Velvet Underground.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
An intimate portrait of Eric Carle, creator of more than 70 books for children including the best-selling "The Very Hungry Caterpillar". At 82, Eric is still at work in his studio making books and creating art. As he methodically layers a tissue paper collage of the caterpillar, he describes the feeling he achieves working in his studio, the sense of being at peace, all alone, when everything grows quiet and it is just himself and his work. The film taps into that deep creative need in each of us, a spirit that started in Eric as a very young child and is unceasing today.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
After the untimely death of his 35-year old brother, an artist explores the questions that surfaced from grief by painting 365 paintings and to spur conversation in culture.