In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.
In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.
2016-11-13
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This is a documentary about a renowned precentor and a church composer Irina Denissova who suddenly becomes a nun in the apex of her career. At the same time, this is a film about God's love towards man. It seemed that a tragedy had occurred: a family of two prominent musicians was ruined, and Irina was abandoned by her husband while struggling with a serious disease of her son.
A journey into the wedding night, where an ultra-Orthodox Jewish couple gets to know each other for the first time.
The "Good News" is a film dedicated to one of the main holidays of Orthodox Christians: the Annunciation of the Most Holy Theotokos. The main idea of this holiday is the beginning of the liberation of the human race from sins and eternal death, the joyful news about the upcoming birth of Jesus Christ. The film shows how people living in the remote Russian village are preparing for the Annunciation, marking the turning point of winter and the beginning of field work. Everyday details of the parish community life help to feel Russian Orthodox customs that have been formed for centuries.
Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
Yugoslavian documentary, about their people and preparing for war.
"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.
On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.
The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.
A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.
The film is based on the events of the 4th International Orthodox Music Festival held in Moscow in February, 1992. The Festival featured not only such famous works as Rakhmaninov's "The All Night Service" and "Liturgy" but also the first performance of the latest interpretations of ancient Russian songs and the sensational first performance of Sviridov's cycle of "spiritual songs".
A documentary re-enactment of the last few hundred years in Serbian history.
At the beginning of Sumadijska street in the vicinity of Slavija Square on the 11th August 1913, the Serbian victorious army from the Second Balkan War led by the Crown Prince Alexander Karadjordjevic was given a huge welcome by the highest military and political authorities of Serbia and Belgrade, representatives of civil organizations and national institutions, as well as several tens of thousands of people from Belgrade, Serbia and Vojvodina.
Through the socio-political overview of the problematic structure of fan clubs and football supporters in Serbia, this movie focuses on a particular case of an incident involving a French citizen - football fan in Belgrade, which led to 12 young people being convicted to 240 years of prison. One of them is Stefan Velickovic. This is the story about the man who became a part of a huge political scandal, and his right to defend himself. As someone who has not even been at the spot of the incident, he has been pronounced guilty of a crime. What are the interests and intentions for making Stefan a scapegoat?
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
Montenegro is the newest European country with a proud history, one that is being falsified for current political purposes, thus creating an alternative identity. In a nation where it possible for two brothers to claim different ethnic backgrounds despite having the same parents, everything is on the table: language, church, democracy. Can the truth set Montenegro free?
Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.
The film follows a famous model and stylist Maja Atanasijević in her lonely, but intense struggle to bring back forgotten values of a city.
Still regarded as the best Serbian documentary film account of WW1 ever, it gathers all the available footage of Serbia's army, its battles on the home ground, its refuge on the island of Corfu, its victorious offensive on the Thessaloniki Front and the return to the homeland. The original documentary footage from 1915–1918 was somewhat supplemented in a small measure with some staged reenactments of Serbian army retreating over Albania, and later liberation of Belgrade. The first version of this documentary epic was shown in 1930 under the title "For the Honour of Homeland". Andrija Glisic and Zarija Djokic later made a new sound version of the previous silent movie and renamed it "Fire Over the Balkans".