Magicians of the Earth: Kings of the Water(1991)

Crumb(en)

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Wacken(de)

Wacken Open Air is the biggest 3-day-rock- and metal-festival in the world. It's three days of raw energy, non-stop Heavy Metal music at full blast and 80.000 fans on a party frenzy. A true legend, taking place annually since 1990 in the sleepy German country town of Wacken, it attracts fans from all over the world.

Green Day: Bullet in a Bible(en)

Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.

O Mundo de Arlindo(pt)

The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.

Lotfi: Four Seasons(fa)

This Documentary takes a look at the art life of Maestro "MohammadReza Lotfi", the great master of "Târ", "Setâr"; great composer of Persian traditional music and the father of art of improvisation in "Dastgâh" music. by interviewing some of the greatest Iranian traditional music maestros and his close friends such as: MohammadReza Shajarian, Hossein Alizâdeh, Bizhan Kâmkâr, Houshang Ebtehâj (a.k.a Sâyeh), Majid Derakhshâni and a lot of other great musicians, the film narrates the life of Lotfi in 4 seasons of his life, from the spring until winter.

The Red Elvis(de)

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Bozarts(fr)

Comme un air d'Italie(fr)

The Whole Gritty City(en)

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

Utopia Ltd.(en)

Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.

Coragem(pt)

Like It Is(en)

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Basquiat, Une Vie(en)

From Brooklyn to the Bronx, Soho to Greenwich, Union Square to Wall Street... Join us and the friends, collaborators and gallery owners who supported Jean-Michel Basquiat throughout his life. The first ever recognized graffiti artist, who saw international success as a neo-expressionist painter in the 80s, Basquiat is a true contemporary hero who died at the peak of his career.

The Other One: The Long, Strange Trip of Bob Weir(en)

Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.

No Festival(en)

Due to a pandemic, the Electric Castle music festival shifts into an intimate concert staged for cameras instead, with three bands and no live audience.

Shine a Light(en)

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

To Open Eyes(en)

The genesis of To Open Eyes: A Film on Josef Albers developed from Arnold Bittleman's appreciation for Albers while Bittleman was a student at Yale University in the 1960s. Wanting to preserve Albers’s teaching method—learning by doing—Bittleman set out with filmmaker and editor Carl Howard to make a visual record of Albers teaching students how to see and use color as a visual grammar. The film includes archival footage of Josef Albers at home in conversation with Bittleman, as well as footage from Black Mountain College and Yale University.

The Last Angel of History(en)

An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

Fall 2(en)

Bas Jan Ader rides his bike into a canal in Amsterdam.

I'm Too Sad to Tell You(en)

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.